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5007 articles available in total starting from 23/05/2002. Last article published on 02/10/2026.

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My Favourite Cake wins the Eurimages Award at the Berlinale Co-Production Market

My Favourite Cake wins the Eurimages Award at the Berlinale Co-Production Market

BERLINALE 2022: Behtash Sanaeeha and Maryam Moghaddam’s project follows the story of a woman who decides to live out her desires in a country where women’s rights are heavily restricted  

15/02/2022 | Berlinale 2022 | EFM/Awards

Review: The Death of My Mother

Review: The Death of My Mother

BERLINALE 2022: Jessica Krummacher observes the last days of a mother-daughter relationship  

14/02/2022 | Berlinale 2022 | Encounters

Review: Grand Jeté

Review: Grand Jeté

BERLINALE 2022: An incestuous liaison between an estranged mother and her son duo lets Isabelle Stever reflect on body obsession and breaking taboos as a means of utilising one’s own physicality  

14/02/2022 | Berlinale 2022 | Panorama

German Films launches its seventh Face to Face campaign

German Films launches its seventh Face to Face campaign

With its seventh edition of the campaign, German Films promotes seven film creatives who represent different sections of the filmmaking industry  

14/02/2022 | Industry | Market | Germany

A fresh edition of Berlinale Shorts gets under way

A fresh edition of Berlinale Shorts gets under way

A preview of some of the films showing in Berlinale Shorts, including a new effort by 2021 Golden Bear winner Radu Jude, Memories from the Eastern Front  

14/02/2022 | Berlinale 2022

Review: A E I O U – A Quick Alphabet of Love

Review: A E I O U – A Quick Alphabet of Love

BERLINALE 2022: Finally, thanks to Nicolette Krebitz, we have a romantic comedy featuring a healthy dose of mugging and characters with a “life impediment”  

14/02/2022 | Berlinale 2022 | Competition

Ulrich Seidl • Director of Rimini

Interview: Ulrich Seidl • Director of Rimini

“Richie Bravo isn’t some shining hero; he’s actually a loser”

BERLINALE 2022: The Austrian director makes his return to fiction filmmaking with one half of a diptych focusing on two enormously troubled siblings  

14/02/2022 | Berlinale 2022 | Competition

Maggie Peren • Director of The Forger

Interview: Maggie Peren • Director of The Forger

“I think that’s how people behaved in order to survive: they smiled”

BERLINALE 2022: Basing her film on a true story, the German helmer tries to capture the everyday reality of World War II – and the lust for life  

13/02/2022 | Berlinale 2022 | Berlinale Special

Review: Afterwater

Review: Afterwater

BERLINALE 2022: Serbian director Dane Komljen returns with another cinematic experience revolving around lakes and limnology as the overarching topic  

13/02/2022 | Berlinale 2022 | Forum

Review: Rabiye Kurnaz vs. George W. Bush

Review: Rabiye Kurnaz vs. George W. Bush

BERLINALE 2022: Andreas Dresen’s new film tells of the odyssey of an ordinary woman forced to transform herself into a true “Mother Courage”  

13/02/2022 | Berlinale 2022 | Competition

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