Competition (The article continues below - Commercial information) 2622 articles available in total starting from 16/05/2002. Last article published on 22/09/2026. previous page: 1 2 3 ... 16 17 [18] 19 20 ... 261 262 263 next Interview: Emin Alper • Director of Salvation“If a country enters a murderous phase, external pressures, like global public opinion and the actions of other states, can set limits”BERLINALE 2026: The Turkish helmer gives us the low-down on his powerful parable about human fear and hatred, set in remote areas of his home country 17/02 | Berlinale 2026 | CompetitionReview: At the SeaBERLINALE 2026: How to get your life back on track after rehab is the central leitmotiv in this unnerving family drama by Kornél Mundruczó, toplined by a stellar Amy Adams 17/02 | Berlinale 2026 | CompetitionInterview: Hanna Bergholm • Director of Nightborn“It’s important for art to venture out of its comfort zone because that’s how we experience and discover something new”BERLINALE 2026: The director breaks down the central themes of her peculiar horror flick, and discusses the governmental cuts for art and culture in her native Finland 16/02 | Berlinale 2026 | CompetitionInterview: Ilker Çatak • Director of Yellow Letters“It was a process of fine-tuning it so that half of the audience would side with the male character and the other half with the female one”BERLINALE 2026: The German helmer unpicks his second feature, about a couple targeted by the state and struggling to balance their ideals with life’s necessities 16/02 | Berlinale 2026 | CompetitionReview: DustBERLINALE 2026: Anke Blondé follows the last 36 hours of freedom of two Flemish tech entrepreneurs on the verge of being arrested at the dawn of the 21st century 15/02 | Berlinale 2026 | CompetitionReview: RoseBERLINALE 2026: Markus Schleinzer casts Sandra Hüller in the role of a man during the Thirty Years’ War, while probing societally ingrained xenophobia and misogyny 15/02 | Berlinale 2026 | CompetitionReview: SalvationBERLINALE 2026: A dormant feud between two Kurdish tribes reawakens in Emin Alper’s careful and consistent examination of how hatred, paranoia and tribalism take root 15/02 | Berlinale 2026 | CompetitionReview: NightbornBERLINALE 2026: Being a parent is horrifying in the literal sense in Hanna Bergholm’s film, which offers more than just an exercise in genre and improves over its running time 15/02 | Berlinale 2026 | CompetitionReview: Rosebush PruningBERLINALE 2026: Karim Aïnouz’s wild remake of Marco Bellocchio’s classic Fists in the Pocket is a star-studded, absurdist parable of violence inside the family 15/02 | Berlinale 2026 | CompetitionInterview: Alain Gomis • Director of Dao"A film can be compelling without necessarily relying on that slightly caricatural kind of dramaturgy we’re often pushed into creating”BERLINALE 2026: The Franco-Senegalese filmmaker discusses his largely non-narrative film, moving back and forth between Guinea-Bissau and France 14/02 | Berlinale 2026 | Competition previous page: 1 2 3 ... 16 17 [18] 19 20 ... 261 262 263 next (The article continues below - Commercial information)