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11821 articles available in total starting from 17/05/2002. Last article published on 16/10/2026.

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Patricia Mazuy • Director of Visiting Hours

Interview: Patricia Mazuy • Director of Visiting Hours

"We’re not familiar with the world of visiting rooms, where women are together but all alone"

CANNES 2024: The French filmmaker unpicks her film exploring the feelings which unfold between a rich upper-class woman and a working-class woman whose husbands are both in prison  

20/05/2024 | Cannes 2024 | Directors’ Fortnight

The CNC zooms in on its Aide aux cinémas du monde scheme at the Cannes Film Festival

The CNC zooms in on its Aide aux cinémas du monde scheme at the Cannes Film Festival

CANNES 2024: The French grant has had its budget increased, thus cementing its major role in backing international co-productions  

20/05/2024 | Cannes 2024

Review: Block Pass

Review: Block Pass

CANNES 2024: Antoine Chevrollier delivers a fine and dynamic first feature in the form of a coming-of-age story, set in a rural area of France which is rendered invisible or caricatured on screen  

20/05/2024 | Cannes 2024 | Critics’ Week

Review: The Kingdom

Review: The Kingdom

CANNES 2024: Following in the wake of a teenage girl whose father is a Corsican mob boss under attack from his rivals, Julien Colonna’s first feature film is impressively tense and true to life  

20/05/2024 | Cannes 2024 | Un Certain Regard

Review: The Substance

Review: The Substance

CANNES 2024: Coralie Fargeat delivers a brutal, post-modernist and feminist version of the Faustian pact, bellowing upon the spirit of Cronenberg, Lynch, Kubrick and various others  

20/05/2024 | Cannes 2024 | Competition

Louise Courvoisier • Director of Holy Cow

Interview: Louise Courvoisier • Director of Holy Cow

"Even if the social reality is difficult, that doesn't stop us from having lots of places of light and humour too"

CANNES 2024: The young French filmmaker recounts the genesis of her first feature, a refreshing coming-of-age film that plunges deep into the world of agriculture while avoiding stereotypes  

20/05/2024 | Cannes 2024 | Un Certain Regard

Review: Limonov: The Ballad

Review: Limonov: The Ballad

CANNES 2024: Kirill Serebrennikov detonates a cyanide-laced grenade by way of a fragmented 360° portrait of a rebellious artist who claimed to be a hero of chaos and who loathed conformism  

20/05/2024 | Cannes 2024 | Competition

Review: Eephus

Review: Eephus

CANNES 2024: Carson Lund’s debut feature takes us out to the ball game, with far more melancholic results than expected  

20/05/2024 | Cannes 2024 | Directors’ Fortnight

Review: Mongrel

Review: Mongrel

CANNES 2024: Chiang Wei Liang’s focused debut inspects migrant labour and organised crime in provincial Taiwan  

20/05/2024 | Cannes 2024 | Directors’ Fortnight

Review: Bird

Review: Bird

CANNES 2024: British director Andrea Arnold competes for the Palme d’Or with a coming-of-age story that showcases both the beauty and the harshness of growing up in a Kent slum  

20/05/2024 | Cannes 2024 | Competition

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