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4652 articles available in total starting from 23/05/2002. Last article published on 19/11/2025.

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Review: Curveball

Review: Curveball

BERLINALE 2020: Relying equally heavily on artistic licence and very real fake news, Johannes Naber turns the Iraqi WMD havoc into an outrageous black comedy  

28/02/2020 | Berlinale 2020 | Berlinale Special

EFM Horizon classifies artificial intelligence as a non-threat to creativity

EFM Horizon classifies artificial intelligence as a non-threat to creativity

BERLINALE 2020: Five presentations explored the presence and uses of AI at various stages of a film’s life cycle  

27/02/2020 | Berlinale 2020 | EFM

Review: Berlin Alexanderplatz

Review: Berlin Alexanderplatz

BERLINALE 2020: Burhan Qurbani’s opus huffs and puffs, but fails to blow the house down  

27/02/2020 | Berlinale 2020 | Competition

German drama Transitniki wins the Berlinale Co-Pro Series pitch

German drama Transitniki wins the Berlinale Co-Pro Series pitch

BERLINALE 2020: The coming-of-age road trip beyond the Iron Curtain will also travel to the upcoming Séries Mania Co-Production Pitching Sessions  

27/02/2020 | Berlinale 2020 | EFM

Review: DAU. Natasha

Review: DAU. Natasha

BERLINALE 2020: The long-gestating feature film by Jekaterina Oertel and Ilya Khrzhanovskiy, part of the DAU project, has surfaced in competition at Berlin  

27/02/2020 | Berlinale 2020 | Competition

Constanze Ruhm • Director of The Notes of Anna Azzori/A Mirror that Travels through Time

Interview: Constanze Ruhm • Director of The Notes of Anna Azzori/A Mirror that Travels through Time

"A fresh, feminist perspective on an old art film"

BERLINALE 2020: Austrian artist Constanze Ruhm discusses her essay film The Notes of Anna Azzori/A Mirror that Travels through Time, screening in the Forum section  

26/02/2020 | Berlinale 2020 | Forum

Bettina Böhler • Director of Schlingensief – A Voice that Shook the Silence

Interview: Bettina Böhler • Director of Schlingensief – A Voice that Shook the Silence

"If we were a little bit more courageous we could change something"

BERLINALE 2020: German director Bettina Böhler talks about her documentary about artist Christoph Schlingensief, Schlingensief – A Voice that Shook the Silence, screened in Panorama  

26/02/2020 | Berlinale 2020 | Panorama

Review: The Notes of Anna Azzori/A Mirror that Travels through Time

Review: The Notes of Anna Azzori/A Mirror that Travels through Time

BERLINALE 2020: Virtually made to measure for Berlin’s highly political Forum, Constanze Ruhm’s feature intercuts between then and now on the subject of womankind and her actions for change  

25/02/2020 | Berlinale 2020 | Forum

Anna Henckel-Donnersmarck • Head of Berlinale Shorts

Interview: Anna Henckel-Donnersmarck • Head of Berlinale Shorts

“I don’t have to create much of a buzz because the films themselves already do it and the audience trusts us”

BERLINALE 2020: As Berlinale Shorts gets into full swing, Cineuropa talks to Anna Henckel-Donnersmarck about her first year as head of the section and the freedoms of the short form  

25/02/2020 | Berlinale 2020 | Berlinale Shorts

Review: Orphea

Review: Orphea

BERLINALE 2020: Alexander Kluge and Khavn co-direct a rock opera on consumer societies and the rise of xenophobia in Europe, reinterpreting the myth of Orpheus and Eurydice  

25/02/2020 | Berlinale 2020 | Encounters

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