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Arras 2022

44 articles available in total starting from 03/03/2021. Last article published on 15/11/2022.

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Review: Il Boemo

Review: Il Boemo

This jaunty biopic of Czech composer Josef Mysliveček, helmed by Petr Vaclav, is brimming with music and human instinct, but it could do with being a tad more edgy and mucky  

20/09/2022 | San Sebastián 2022 | Competition

Petr Vaclav • Director of Il Boemo

Interview: Petr Vaclav • Director of Il Boemo

“This Icarian story of a rise and fall excited me”

Cineuropa talked to the Czech director about his biggest film to date and about the origins of this period drama that resurrects music that has not been heard for 250 years  

19/09/2022 | San Sebastián 2022 | Competition

Michal Blaško • Director of Victim

Interview: Michal Blaško • Director of Victim

“There is this balance between an intimate story and one about an individual against society”

VENICE 2022: We chatted to the Slovak filmmaker about his feature debut, in which he takes a deep dive into the xenophobia that’s firmly embedded in society  

09/09/2022 | Venice 2022 | Orizzonti

Review: Victim

Review: Victim

VENICE 2022: Slovak director Michal Blaško points a finger at the latent xenophobia in our society in his feature debut  

09/09/2022 | Venice 2022 | Orizzonti

Antonio Lukich • Director of Luxembourg, Luxembourg

Interview: Antonio Lukich • Director of Luxembourg, Luxembourg

“Each of us loves and hates our parents at the same time”

VENICE 2022: We spoke to the Ukrainian director about his second film, which, in a way, is a continuation of his previous effort, My Thoughts Are Silent  

08/09/2022 | Venice 2022 | Orizzonti

Review: Luxembourg, Luxembourg

Review: Luxembourg, Luxembourg

VENICE 2022: The second film by Ukrainian director Antonio Lukich is about two brothers travelling to Luxembourg to say goodbye to their father  

08/09/2022 | Venice 2022 | Orizzonti

Review: The Happiest Man in the World

Review: The Happiest Man in the World

VENICE 2022: Thirty years on, the war in Bosnia still festers under the surface, its wounds ready to erupt at any point, as Teona Strugar Mitevska’s feature demonstrates  

04/09/2022 | Venice 2022 | Orizzonti

Noemi Veronika Szakonyi • Director of Six Weeks

Interview: Noemi Veronika Szakonyi • Director of Six Weeks

"The six-week adoption law in Hungary is a very suspenseful situation for a film"

The Hungarian filmmaker discusses her film, which follows a young mother of an unwanted child who has six weeks to change her mind and get her child back, if she so wishes  

23/08/2022 | Sarajevo 2022 | Competition

Review: Six Weeks

Review: Six Weeks

Noémi Veronika Szakonyi’s feature-length fiction debut is a nuanced and judgement-free portrait of a young woman putting her child up for adoption  

23/08/2022 | Sarajevo 2022 | Competition

Paul Negoescu • Director of Men of Deeds

Interview: Paul Negoescu • Director of Men of Deeds

“There is no money for writing in Romania”

We talked to the Romanian director about his fourth feature, the lack of professional screenwriters in his country’s film industry and what’s next for him  

22/08/2022 | Sarajevo 2022 | Competition

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