Berlinale 2022 / Encounters (The article continues below - Commercial information) 26 articles available in total starting from 19/01/2022. Last article published on 23/02/2022. previous page: 1 [2] 3 next Interview: Jöns Jönsson • Director of Axiom“I guess we shouldn't underestimate how much we adapt to our environment”BERLINALE 2022: The German-based Swedish director presents a very ambiguous, but also very human, protagonist in his new feature 16/02/2022 | Berlinale 2022 | EncountersReview: SonneBERLINALE 2022: Kurdwin Ayub’s feature debut looks at the intersection of Generation Z social-media use and modern Muslim identity 16/02/2022 | Berlinale 2022 | EncountersReview: AxiomBERLINALE 2022: In Jöns Jönsson’s film, a young man keeps inventing fantastical stories about his life, until the lies one day threaten to catch up with him 16/02/2022 | Berlinale 2022 | EncountersInterview: Hristos Passalis, Syllas Tzoumerkas • Directors of The City and the City"The terrible extermination of the Jewish community in Thessaloniki is still a taboo in Greek society"BERLINALE 2022: The Greek filmmaking duo discuss their film about the untold story of the life and perils of the Jewish community of the city, nicknamed “the mother of Israel”, in six chapters 15/02/2022 | Berlinale 2022 | EncountersInterview: Cyril Schäublin • Director of Unrest“By putting the people and the language to the margins of the frame, maybe the construction of those re-enacted situations becomes more visible”BERLINALE 2022: The Swiss director's film is a trip back to the 19th century where the anarchist movement found fertile ground in Switzerland 15/02/2022 | Berlinale 2022 | EncountersInterview: Bertrand Bonello • Director of Coma“Being 18 today - wow. Life starts in a world that feels crazy”BERLINALE 2022: The French filmmaker talks us through his unnerving, abstract new work — a world of Zoom calls and eerie dreams 15/02/2022 | Berlinale 2022 | EncountersReview: A Little Love PackageBERLINALE 2022: Gastón Solnicki's fifth feature is a baffling experiment made all the more confusing by being billed as a “classic comedy” 15/02/2022 | Berlinale 2022 | EncountersReview: Small, Slow but SteadyBERLINALE 2022: In co-production with France, Japan’s Shô Miyake carves out a seemingly modest yet subtle and masterful movie about a young, deaf female boxer with a big heart 14/02/2022 | Berlinale 2022 | EncountersReview: The Death of My MotherBERLINALE 2022: Jessica Krummacher observes the last days of a mother-daughter relationship 14/02/2022 | Berlinale 2022 | EncountersReview: MutzenbacherBERLINALE 2022: For Ruth Beckermann, a century-old erotic classic proves an effective catalyst when exploring contemporary male morals 14/02/2022 | Berlinale 2022 | Encounters previous page: 1 [2] 3 next (The article continues below - Commercial information)