Berlinale 2026 / Competition (The article continues below - Commercial information) 34 articles available in total starting from 20/01/2026. Last article published on 21/02/2026. previous page: 1 [2] 3 4 next Review: Soumsoum, the Night of the StarsBERLINALE 2026: Mahamat-Saleh Haroun explores the role and place of the wonderful and the invisible in a gloriously directed film which urges us to read between the lines 19/02 | Berlinale 2026 | CompetitionReview: A New DawnBERLINALE 2026: Yoshitoshi Shinomiya’s feature debut is a visually delicate anime that attempts to mix family mystery, environmental themes and adolescent turmoil 19/02 | Berlinale 2026 | CompetitionReview: Home StoriesBERLINALE 2026: Eva Trobisch’s third feature is a complex family mosaic that intertwines the personal, the political and the cultural within the specific East German context 19/02 | Berlinale 2026 | CompetitionInterview: Geneviève Dulude-de Celles • Director of Nina Roza“I was less interested in the initial hardship of migration than in the aftermath”BERLINALE 2026: The Montreal-based filmmaker reveals the challenges of setting up her sophomore feature film in Bulgaria without being Bulgarian 18/02 | Berlinale 2026 | CompetitionReview: My Wife CriesBERLINALE 2026: Angela Schanelec delivers an utterly singular film on the subjects of infidelity and love, achieved with austerity, humour and emotion 18/02 | Berlinale 2026 | CompetitionReview: Queen at SeaBERLINALE 2026: US filmmaker Lance Hammer returns after 18 years with a deeply emotional and thought-provoking dementia drama starring Juliette Binoche 18/02 | Berlinale 2026 | CompetitionInterview: Anke Blondé • Director of Dust"Luc and Geert are falling, the question is how they will fall"BERLINALE 2026: The Flemish filmmaker talks about her second feature film, written by Angelo Tijssens, starring Jan Hammenecker and Arieh Worthalter 17/02 | Berlinale 2026 | CompetitionReview: Nina RozaBERLINALE 2026: Geneviève Dulude-De Celles crafts a Bulgarian-based story on concealed wounds and the resurfacing of an interred identity 17/02 | Berlinale 2026 | CompetitionInterview: Emin Alper • Director of Salvation“If a country enters a murderous phase, external pressures, like global public opinion and the actions of other states, can set limits”BERLINALE 2026: The Turkish helmer gives us the low-down on his powerful parable about human fear and hatred, set in remote areas of his home country 17/02 | Berlinale 2026 | CompetitionReview: At the SeaBERLINALE 2026: How to get your life back on track after rehab is the central leitmotiv in this unnerving family drama by Kornél Mundruczó, toplined by a stellar Amy Adams 17/02 | Berlinale 2026 | Competition previous page: 1 [2] 3 4 next (The article continues below - Commercial information)