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Black Nights 2022 / Competition

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26 articles available in total starting from 21/10/2022. Last article published on 13/12/2022.

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Hilmar Oddsson, Hera Hilmar • Director of and actress in Driving Mum

Interview: Hilmar Oddsson, Hera Hilmar • Director of and actress in Driving Mum

"All good comedies are also tragedies"

We met up with the Icelandic director and his daughter, and actress in his latest film, to talk about inspiration and characters  

25/11/2022 | Black Nights 2022 | Competition

Review: Jailbird

Review: Jailbird

Andrea Magnani’s second work is a highly bizarre tale which risks alienating viewers  

25/11/2022 | Black Nights 2022 | Competition

J-P Valkeapää • Director of Hit Big

Interview: J-P Valkeapää • Director of Hit Big

"While writing this script during lockdown, in this atmosphere where you were scared of dying, I realised that this film was about the end of the world"

We met up with the Finnish director and talked about his inspirations when writing and creating his new film  

24/11/2022 | Black Nights 2022 | Competition

Béatrice Pollet • Director of And Yet We Were All Blind

Interview: Béatrice Pollet • Director of And Yet We Were All Blind

“Women have problems making people believe them”

We talked to the French filmmaker about her highly sensitive and disturbing drama about a woman who experiences pregnancy denial  

24/11/2022 | Black Nights 2022 | Competition

Christopher Roth • Director of Servus Papa, See You in Hell

Interview: Christopher Roth • Director of Servus Papa, See You in Hell

“I didn't want to make a documentary; I wanted the film to have its own sense of autonomy"

The director discussed his interest in utopias and his wish to depict the power that comes with standing still  

24/11/2022 | Black Nights 2022 | Competition

Review: Servus Papa – See You in Hell

Review: Servus Papa – See You in Hell

Christopher Roth’s new feature sees libertine ideas twisted into tyranny and examines the effect of this on a teenage girl growing up in a commune near Vienna  

24/11/2022 | Black Nights 2022 | Competition

Review: And Yet We Were All Blind

Review: And Yet We Were All Blind

Béatrice Pollet delivers a captivating legal thriller on the subject of motherhood, exploring a seemingly unfathomable act  

24/11/2022 | Black Nights 2022 | Competition

Review: Driving Mum

Review: Driving Mum

Hilmar Oddsson’s comeback film feels rusty, just like his protagonist’s clapped-out car. But every once in a while, it actually runs smoothly  

24/11/2022 | Black Nights 2022 | Competition

Ciaran Creagh • Director of Ann

Interview: Ciaran Creagh • Director of Ann

“We wanted to be with Ann and to give her a voice”

The Irish director tells us why he wanted to adapt the heart-wrenching true story of Ann Lovett for the big screen  

23/11/2022 | Black Nights 2022 | Competition

Review: Plastic Symphony

Review: Plastic Symphony

Juraj Lehotský’s psychological drama is aesthetically elegant but fails to dig deep into its lead character’s soul, resulting in a rather cold-hearted viewing experience  

23/11/2022 | Black Nights 2022 | Competition

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