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Cannes 2024 / Directors’ Fortnight

28 articles available in total starting from 09/04/2024. Last article published on 28/08/2024.

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Review: East of Noon

Review: East of Noon

CANNES 2024: In her sophomore feature, Hala Elkoussy crafts a chaotic folktale set in a bizarre theatre company ruled by a childish tyrant  

22/05/2024 | Cannes 2024 | Directors’ Fortnight

Review: Ghost Cat Anzu

Review: Ghost Cat Anzu

CANNES 2024: Yôko Kuno and Nobuhiro Yamashita’s film is a visual feast for fans of Japanese animation, even if the story falls short of expectations  

22/05/2024 | Cannes 2024 | Directors’ Fortnight

Review: Eat The Night

Review: Eat The Night

CANNES 2024: Caroline Poggi and Jonathan Vinel launch into a bold and highly ambitious film about youth, the virtual and reality, but the piece as a whole doesn't quite live up to its promise  

21/05/2024 | Cannes 2024 | Directors’ Fortnight

Review: The Falling Sky

Review: The Falling Sky

CANNES 2024: Eryk Rocha and Gabriela Carneiro da Cunha’s documentary focuses on the indigenous Yanomami people of the Amazon and their struggle to protect their home  

21/05/2024 | Cannes 2024 | Directors’ Fortnight

Patricia Mazuy • Director of Visiting Hours

Interview: Patricia Mazuy • Director of Visiting Hours

"We’re not familiar with the world of visiting rooms, where women are together but all alone"

CANNES 2024: The French filmmaker unpicks her film exploring the feelings which unfold between a rich upper-class woman and a working-class woman whose husbands are both in prison  

20/05/2024 | Cannes 2024 | Directors’ Fortnight

Review: Eephus

Review: Eephus

CANNES 2024: Carson Lund’s debut feature takes us out to the ball game, with far more melancholic results than expected  

20/05/2024 | Cannes 2024 | Directors’ Fortnight

Review: Savanna and the Mountain

Review: Savanna and the Mountain

CANNES 2024: Paulo Carneiro takes us to Covas do Barroso in Portugal for a truly captivating portrait of the local community’s fight against lithium mining  

20/05/2024 | Cannes 2024 | Directors’ Fortnight

Review: Mongrel

Review: Mongrel

CANNES 2024: Chiang Wei Liang’s focused debut inspects migrant labour and organised crime in provincial Taiwan  

20/05/2024 | Cannes 2024 | Directors’ Fortnight

Thierry de Peretti • Director of In His Own Image

Interview: Thierry de Peretti • Director of In His Own Image

"Film is an object that moves according to who is watching it"

CANNES 2024: The French filmmaker deciphers his fascinating portrait of a woman and a group of friends caught up in the whirlwind of the Corsican nationalist movement  

19/05/2024 | Cannes 2024 | Directors’ Fortnight

Review: Visiting Hours

Review: Visiting Hours

CANNES 2024: Patricia Mazuy explores an unlikely friendship between two women from very different social classes, played brilliantly by Isabelle Huppert and Hafsia Herzi  

18/05/2024 | Cannes 2024 | Directors’ Fortnight

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