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Cannes 2025 / Directors’ Fortnight

25 articles available in total starting from 01/04/2025. Last article published on 17/06/2025.

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Review: Militantropos

Review: Militantropos

CANNES 2025: The Ukrainian documentary by Yelizaveta Smith, Alina Gorlova and Simon Mozgovyi observes and investigates the psychological stakes of living in wartime  

21/05 | Cannes 2025 | Directors’ Fortnight

Review: Untamable

Review: Untamable

CANNES 2025: Thomas Ngijol breaks away from pure comedy with a sort of Cameroonian-style Shaft between a police investigation and family tensions  

20/05 | Cannes 2025 | Directors’ Fortnight

Review: The Party’s Over!

Review: The Party’s Over!

CANNES 2025: Antony Cordier and his wild actors have fun with a sudden and fierce battle between rich and poor arbitrated by an idealistic young class defector  

19/05 | Cannes 2025 | Directors’ Fortnight

Valéry Carnoy • Director of Wild Foxes

Interview: Valéry Carnoy • Director of Wild Foxes

"I wanted a lot of nervousness, with just the right mix of violence and tenderness"

CANNES 2025: The Belgian filmmaker explores subjects such as the injunction to be virile and the relationship with violence in his first feature film  

18/05 | Cannes 2025 | Directors’ Fortnight

Review: Wild Foxes

Review: Wild Foxes

CANNES 2025: Valéry Carnoy delivers a sensitive, embodied first feature, in the breath of its hero, who for the duration of an intense interlude will question the rest of his story  

17/05 | Cannes 2025 | Directors’ Fortnight

Julia Kowalski • Director of Her Will Be Done

Interview: Julia Kowalski • Director of Her Will Be Done

“This is a witch film”

CANNES 2025: The French director talks to us about the dark magic in her film, religion and her Polish roots  

16/05 | Cannes 2025 | Directors’ Fortnight

Review: Her Will Be Done

Review: Her Will Be Done

CANNES 2025: Julia Kowalski plays a wicked game in a highly stylised feminist film, maliciously blending documentary realism and fantastic derangement  

16/05 | Cannes 2025 | Directors’ Fortnight

Louise Hémon • Director of The Girl in the Snow

Interview: Louise Hémon • Director of The Girl in the Snow

"The experiment was to take a rational character, plunge her into irrational phenomena and see how far her mind would resist"

CANNES 2025: The French filmmaker talks about her first feature, the challenges of shooting a period film in winter and the unconscious forces of desire  

15/05 | Cannes 2025 | Directors’ Fortnight

Review: The Girl in the Snow

Review: The Girl in the Snow

CANNES 2025: Set in 1900 in a tiny, very isolated mountain hamlet in the middle of winter, Louise Hémon's first feature film is highly original and atmospheric  

15/05 | Cannes 2025 | Directors' Fortnight

Review: Death Does Not Exist

Review: Death Does Not Exist

CANNES 2025: Félix Dufour-Laperrière’s fantasy animation follows a band of young revolutionaries aiming to overturn both the elite and mortality itself  

15/05 | Cannes 2025 | Directors’ Fortnight

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