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Critics' Week

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375 articles available in total starting from 24/05/2002. Last article published on 07/07/2026.

Blerta Basholli • Director of Dua

Interview: Blerta Basholli • Director of Dua

“Even if it’s during a conflict, you want to have these little moments where you feel normal”

CANNES 2026: The Kosovar-based director talks about not holding back from putting the personal on screen and finding a close-up subjectivity in her sophomore feature  

19/05 | Cannes 2026 | Critics’ Week

Review: Tin Castle

Review: Tin Castle

CANNES 2026: Alexander Murphy delivers an compassionate, respectful and superbly shot documentary about an endlessly endearing family of partially settled Travellers  

18/05 | Cannes 2026 | Critics’ Week

Pierre Le Gall • Director of Flesh and Fuel

Interview: Pierre Le Gall • Director of Flesh and Fuel

“I really liked the idea of filming an environment that could bring together two themes I love in cinema: time and love”

CANNES 2026: The French filmmaker discusses the genesis of his debut feature, a surprising story of tenderness and an anti-road movie  

17/05 | Cannes 2026 | Critics’ Week

Marine Atlan • Director of La Gradiva

Interview: Marine Atlan • Director of La Gradiva

"The film explores the idea of arriving in a land which gradually consumes all the characters"

CANNES 2026: The French director shares the genesis of her first feature, which is an ensemble film shot in Naples and centred around a class of high school students from Paris  

17/05 | Cannes 2026 | Critics’ Week

Review: Flesh and Fuel

Review: Flesh and Fuel

CANNES 2026: As a lone lorry driver swept up in an international whirlwind romance, Alexis Manenti captivates in Pierre Le Gall’s original debut feature film  

16/05 | Cannes 2026 | Critics’ Week

Review: La Gradiva

Review: La Gradiva

CANNES 2026: Marine Atlan crafts a staggeringly rich and highly artistic first feature film following in the wake of a group of French youngsters on a school trip in Italy  

16/05 | Cannes 2026 | Critics’ Week

Review: The Blow

Review: The Blow

CANNES 2026: With his debut feature, Julien Gaspar-Oliveri crafts a shifting portrait of two siblings confronted by the return of their father and an impossible rift  

15/05 | Cannes 2026 | Critics’ Week

Review: Alive

Review: Alive

CANNES 2026: Aina Clotet directs a comedy-drama centred on a woman who, as the title suggests, wants to feel fully alive after overcoming a serious illness  

15/05 | Cannes 2026 | Critics’ Week

Review: A Girl Unknown

Review: A Girl Unknown

CANNES 2026: Zou Jing’s debut tracks a young Chinese girl forced to live with three different families, under three different names and identities  

15/05 | Cannes 2026 | Critics’ Week

Review: Dua

Review: Dua

CANNES 2026: Blerta Basholli brings an undeniably powerful clarity of perspective to her sophomore feature, which follows a teenage girl growing up in late-1990s Pristina  

14/05 | Cannes 2026 | Critics’ Week

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