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Directors’ Fortnight

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470 articles available in total starting from 16/05/2002. Last article published on 04/06/2026.

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Bruno Dumont • Director of Red Rocks

Interview: Bruno Dumont • Director of Red Rocks

“I wanted to return to something primary, where everything begins"

CANNES 2026: One of France’s most unusual filmmakers surprises once again by confronting the limitations of the modern world while striving towards a bright utopia  

21/05 | Cannes 2026 | Directors’ Fortnight

Review: Viva Carmen

Review: Viva Carmen

CANNES 2026: Animated and full of life, Sébastien Laudenbach’s take on the fiery opera character is a real treat  

21/05 | Cannes 2026 | Directors’ Fortnight

Review: Red Rocks

Review: Red Rocks

CANNES 2026: Bruno Dumont heads south and reinvents the classic “love story” against a backdrop of class struggle and through the lens of early childhood in a bold and technically accomplished film  

20/05 | Cannes 2026 | Directors’ Fortnight

Review: The Diary of a Chambermaid

Review: The Diary of a Chambermaid

CANNES 2026: Radu Jude goes back to beautiful basics in this lightly metatheatrical piece about a Romanian mother working in the home of a bourgeois Bordeaux family  

20/05 | Cannes 2026 | Directors’ Fortnight

Review: 9 Temples to Heaven

Review: 9 Temples to Heaven

CANNES 2026: Following in the wake of a family on a mystical odyssey riddled with complications, Sompot Chidgasornpongse offers up a highly sophisticated feature film about the ritualised ties of life  

19/05 | Cannes 2026 | Directors’ Fortnight

Sarah Arnold • Director of Too Many Beasts

Interview: Sarah Arnold • Director of Too Many Beasts

"It’s a film about everything that overflows and overwhelms us"

CANNES 2026: The director shares the adventure of making her highly unique and funny first feature film, involving wild boars, hunters, farmers, a police officer and a psychologist  

19/05 | Cannes 2026 | Directors’ Fortnight

Review: Shana

Review: Shana

CANNES 2026: Driven by a highly colourful character, Lila Pinell’s film is a hard-hitting feminist tragicomedy exploring the theme of control  

18/05 | Cannes 2026 | Directors’ Fortnight

Lila Pinell • Director of Shana

Interview: Lila Pinell • Director of Shana

“The character is always on the move; she’s always full of surprises”

CANNES 2026: The French filmmaker talks about her second feature, part of her ongoing commitment to exploring reality through the lens of tragicomedy, once again starring the same lead actress  

17/05 | Cannes 2026 | Directors’ Fortnight

Review: Too Many Beasts

Review: Too Many Beasts

CANNES 2026: Sarah Arnold’s first feature film is an original, off-the-wall comedy about an erratic investigation unfolding amidst a war between wild boar hunters and farmers  

17/05 | Cannes 2026 | Directors’ Fortnight

Review: Thanks for Coming

Review: Thanks for Coming

CANNES 2026: 94-year-old director Alain Cavalier’s documentary is a melancholic yet humorous meditation on cinema and its power to fight back against mortality  

17/05 | Cannes 2026 | Directors' Fortnight

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