Orizzonti (The article continues below - Commercial information) 263 articles available in total starting from 03/09/2005. Last article published on 09/09/2025. previous page: 1 [2] 3 4 5 6 7 8 ... 25 26 27 next Review: The IvyVENICE 2025: Ana Cristina Barragán’s intimate portrait of healing is an emotionally raw story hinging on the relationship between a 30-year-old woman and a 17-year-old boy 03/09 | Venice 2025 | OrizzontiReview: Lost LandVENICE 2025: Japanese director Akio Fujimoto’s powerful second feature follows two displaced Rohingya children as they attempt to flee Bangladesh for Malaysia 03/09 | Venice 2025 | OrizzontiInterview: Laura Samani • Director of A Year of School"Men and women don’t speak the same language"VENICE 2025: The Italian director tells us about her new film, which centres on a 19-year-old Swedish girl who finds herself being the only girl in an all-boys classroom 02/09 | Venice 2025 | OrizzontiReview: The SouffleurVENICE 2025: Gastón Solnicki takes us on a tour of Vienna’s Intercontinental Hotel with Willem Dafoe as our guide 01/09 | Venice 2025 | OrizzontiReview: A Year of SchoolVENICE 2025: Laura Samani’s second film is a female coming-of-age story that betrays the revolutionary spirit of the character in the novel on which it is based 31/08 | Venice 2025 | OrizzontiReview: Rose of NevadaVENICE 2025: In Mark Jenkin’s oneiric new feature, George MacKay and Callum Turner man a Cornish fishing vessel that can travel through time 31/08 | Venice 2025 | OrizzontiInterview: Carolina Cavalli • Director of The Kidnapping of Arabella“I like irony that borders on the absurd because it reflects human existence, how uncertain and contradictory it is"VENICE 2025: We talked to the Italian director about non-places, the camp aesthetic and characters that reflect the confusion and disorientation of today 31/08 | Venice 2025 | OrizzontiReview: The Kidnapping of ArabellaVENICE 2025: Carolina Cavalli’s sophomore feature uses off-kilter dramedy to reflect on an emerging generation disappointed with their lives 31/08 | Venice 2025 | OrizzontiInterview: Mihai Mincan • Director of Milk Teeth“What I’ve tried to do is not make some kind of ‘autobiographical memory’ film, but rather convey a feeling of loneliness”VENICE 2025: The Romanian director talks about blending historical reality, childhood memories and the weight of silence 31/08 | Venice 2025 | OrizzontiInterview: Jaume Claret Muxart • Director of Strange River“It's an educational film: about desire and sexuality”VENICE 2025: The debuting Catalan filmmaker talks to us about his first feature, shot on 16 mm while cycling along the Danube with his family, with sexual awakening as its backdrop 30/08 | Venice 2025 | Orizzonti previous page: 1 [2] 3 4 5 6 7 8 ... 25 26 27 next (The article continues below - Commercial information)