Palić 2018 (The article continues below - Commercial information) 29 articles available in total starting from 18/02/2018. Last article published on 23/07/2018. previous page: 1 [2] 3 next Interview: Alice Rohrwacher • Director“In Italy, the lines between fiction and reality are blurry”CANNES 2018: We talk to Alice Rohrwacher, who has directed Happy as Lazzaro, the follow-up to her successful The Wonders 16/05/2018 | Cannes 2018 | Competition Interview: Stéphane Brizé • Director"The brutality of the world is grounds for investigation and intrigue"CANNES 2018: French director Stéphane Brizé talks to us about his new feature film, At War 15/05/2018 | Cannes 2018 | Competition Review: At WarCANNES 2018: Stéphane Brizé presents a striking, exciting and exceptionally realistic film about workers struggling with the threatened closure of their factory 15/05/2018 | Cannes 2018 | Competition Review: Happy as LazzaroCANNES 2018: Alice Rohrwacher is back with an uneven, but wildly interesting, story based on true events that proves she is only just getting warmed up as a storyteller 14/05/2018 | Cannes 2018 | Competition Interview: Lukas Dhont • DirectorInterviewCANNES 2018: Young Belgian filmmaker Lukas Dhont talked to us about his first feature, Girl 14/05/2018 | Cannes 2018 | Un Certain Regard Review: GirlCANNES 2018: Lukas Dhont delivers a jaw-dropping debut film about the emotional and physical struggle of a young transgender girl on the cusp of a transformation 13/05/2018 | Cannes 2018 | Un Certain Regard Interview: Ali Abbasi • Director“We have taken liberties but have also been true to the core of the story”CANNES 2018: We talked to Tehran-born director Ali Abbasi about his sophomore effort, Border, based on a short story by John Ajvide Lindqvist 11/05/2018 | Cannes 2018 | Un Certain Regard Review: BorderCANNES 2018: Danish director Ali Abbasi plays with realism and fantasy in a fascinating film with a somewhat grotesque ending 10/05/2018 | Cannes 2018 | Un Certain Regard Review: StyxBERLIN 2018: Wolfgang Fischer creates a claustrophobic atmosphere in open waters, where some sail freely and others drown 28/02/2018 | Berlinale 2018 | Panorama Interview: Adina Pintilie • Director of Touch Me Not"I hope the film can open a dialogue and foster empathy, inclusion and freedom of expression"BERLIN 2018: Romanian director Adina Pintilie explores the challenges of making her first film, Touch Me Not 23/02/2018 | Berlinale 2018 | Competition previous page: 1 [2] 3 next (The article continues below - Commercial information)