Sarajevo 2024 / Competition 17 articles available in total starting from 30/01/2024. Last article published on 27/08/2024. previous page: 1 [2] Interview: Yorgos Zois • Director of Arcadia"I always like it when somebody takes me by the hand into a journey to the unknown"BERLINALE 2024: The Greek director delves into his second film, a haunting story of love, loss, acceptance and letting go 04/03/2024 | Berlinale 2024 | EncountersInterview: Roman Bondarchuk • Director of The Editorial Office"This film is a response to the surreal reality of the media, not just Ukrainian, but universal"BERLINALE 2024: The Ukrainian filmmaker discusses his playful media and political satire, shot in Kherson shortly before the Russian invasion 28/02/2024 | Berlinale 2024 | ForumInterview: Andrei Cohn • Director of Holy Week“My main character is pushed into a place where he becomes unable to distinguish between real and imaginary threats”BERLINALE 2024: The director’s third picture, a loose adaptation of a novella by Ion Luca Caragiale, explores antisemitism in a Romanian village circa 1900 22/02/2024 | Berlinale 2024 | ForumReview: Holy WeekBERLINALE 2024: Andrei Cohn’s period drama dissects the cycle of violence through the story of a Jewish innkeeper in the Romanian countryside 20/02/2024 | Berlinale 2024 | ForumReview: ArcadiaBERLINALE 2024: Yorgos Zois’s second feature sets out as a mysterious erotic thriller with psychological elements, but gradually melts into a predictable relationship (melo)drama 19/02/2024 | Berlinale 2024 | EncountersReview: The Editorial OfficeBERLINALE 2024: Returning to the deep south of his native Ukraine, Roman Bondarchuk creates a smart, often outlandish but carefully observed reflection on the local media 17/02/2024 | Berlinale 2024 | ForumReview: A Picture to RememberOlga Chernykh delivers a lyrical exploration of her heritage in the Donbass, offering up a war diary and linking it with her family’s story by way of images from their own personal archive 30/01/2024 | Trieste 2024 previous page: 1 [2]