Saudi Arabia (The article continues below - Commercial information) 84 articles available in total starting from 16/03/2005. Last article published on 16/12/2025. previous page: 1 [2] 3 4 5 6 7 8 9 next The fifth Red Sea International Film Festival announces its full line-upUnspooling from 4-13 December in Jeddah, the event will present over 100 films from all over the world, including 16 titles selected for the main competition strand 06/11/2025 | Red Sea 2025Review: Palestine 36Thanks to a committed choral film weaved with much narrative agility, Annemarie Jacir returns to a sadly decisive historical chapter for the Palestinian people 08/09/2025 | Toronto 2025 | Gala PresentationsInterview: Cyril Aris • Director of A Sad and Beautiful World"I try to tell the story of Lebanon today and its ups and downs through the story of a couple with two different worldviews"VENICE 2025: The Lebanese director talks to us about his debut fiction feature, a love story set against the backdrop of a deeply scarred country, Lebanon 04/09/2025 | Venice 2025 | Giornate degli AutoriReview: Cotton QueenVENICE 2025: In spite of its title, Suzannah Mirghani’s impressive debut, following a Sudanese girl assessing her future on a plantation, avoids any fluff 03/09/2025 | Venice 2025 | International Film Critics’ WeekInterview: Yanis Koussim • Director of Roqia“I write about my wounds”VENICE 2025: The Algerian director takes on his country’s trauma and delivers a personal horror story 02/09/2025 | Venice 2025 | International Film Critics’ WeekReview: A Sad and Beautiful WorldVENICE 2025: In his feature-length fiction debut, Cyril Aris tells a love story unfolding in parallel with the joys and deep sorrows of a continually changing Lebanon 02/09/2025 | Venice 2025 | Giornate degli AutoriReview: RoqiaVENICE 2025: Under the guise of a dark genre film about possession and exorcism, Yanis Koussim distils an allegory about the timeless dangers of fundamentalism 01/09/2025 | Venice 2025 | International Film Critics’ WeekReview: ExileMehdi Hmili's film is an ambient, slow-burning vengeance flick that becomes, inadvertently perhaps, a comment on a masculinity crisis 13/08/2025 | Locarno 2025 | Out of CompetitionInterview: Morad Mostafa • Director of Aisha Can't Fly Away"I asked myself why, in Egyptian cinema, we don't have any films about non-Egyptians characters"CANNES 2025: The Egyptian filmmaker talked to us about the origins of his debut feature, centred on an African migrant in Cairo 24/05/2025 | Cannes 2025 | Un Certain RegardReview: Aisha Can’t Fly AwayCANNES 2025: Morad Mostafa crafts a debut feature that’s cinematically familiar in its festival aesthetic but is let down by a surface-level story despite its weighty themes 23/05/2025 | Cannes 2025 | Un Certain Regard previous page: 1 [2] 3 4 5 6 7 8 9 next (The article continues below - Commercial information)