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Seville 2022

57 articles available in total starting from 28/01/2022. Last article published on 15/11/2022.

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Lukas Dhont • Director of Close

Interview: Lukas Dhont • Director of Close

"I wanted to launch myself into film using body language"

We met with the young Flemish director on the occasion of his film’s release in France and Belgium, having previously scooped the Grand Jury Prize in Cannes  

31/10/2022 | /Belgium/France/Netherlands

Review: Polaris

Review: Polaris

Leave it to Spanish director Ainara Vera to combine a strong sisterly bond and the Arctic, and for it to actually make perfect sense  

25/10/2022 | Mirage 2022

Review: The Bride

Review: The Bride

VENICE 2022: Sérgio Tréfaut’s short, sharp film follows a female inductee of Daesh, as she awaits her own trial after her husband’s execution  

15/09/2022 | Venice 2022 | Orizzonti

Lav Diaz • Director of When the Waves Are Gone

Interview: Lav Diaz • Director of When the Waves Are Gone

“I consider my kind of filmmaking like writing a novel: I create real characters, the characters are fleshed out, and we see them living in the film”

VENICE 2022: We spoke to the Filipino auteur – famous for his epic-length works – about his long-awaited new feature, a revenge story set amidst the country’s narco-wars  

13/09/2022 | Venice 2022 | Out of Competition

Rebecca Zlotowski • Director of Other People’s Children

Interview: Rebecca Zlotowski • Director of Other People’s Children

“I felt that Rachel was the person I needed to be at a certain point and could not be”

VENICE 2022: We chatted with the French director, who has crafted her new feature as a cinematic confrontation with female infertility  

10/09/2022 | Venice 2022 | Competition

Alice Diop • Director of Saint Omer

Interview: Alice Diop • Director of Saint Omer

“This is a film based on words. But with so many words, you need silences, too”

VENICE 2022: The French filmmaker delivers a stunner of a movie and a real punch to the heart with her latest effort  

10/09/2022 | Venice 2022 | Competition

Review: Saint Omer

Review: Saint Omer

VENICE 2022: Documentary-maker Alice Diop ventures into fiction with a sharp, singular and cryptic film exploring the surface and plunging the deepest depths of an infanticide trial  

07/09/2022 | Venice 2022 | Competition

Review: The Eternal Daughter

Review: The Eternal Daughter

VENICE 2022: Joanna Hogg returns with a double helping of Tilda Swinton and a ghost story that’s on the dull side  

07/09/2022 | Venice 2022 | Competition

Review: Skin Deep

Review: Skin Deep

VENICE 2022: Kazakh-born, German-based director Alex Schaad’s feature debut is a thoughtful take on the body-swap film  

06/09/2022 | Venice 2022 | International Film Critics’ Week

Review: When the Waves Are Gone

Review: When the Waves Are Gone

VENICE 2022: Filipino great Lav Diaz makes another gruelling revenge tragedy, this time focusing on two dirty cops with a grudge  

06/09/2022 | Venice 2022 | Out of Competition

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