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Thessaloniki 2018

32 articles available in total starting from 22/01/2018. Last article published on 19/11/2018.

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Review: You Have the Night

Review: You Have the Night

VENICE 2018: In his first feature film, Ivan Salatić gives a feeling of lifelessness and desolation to a space where life is slowly disappearing  

07/09/2018 | Venice 2018 | International Film Critics' Week

Review: Manta Ray

Review: Manta Ray

VENICE 2018: Phuttiphong Aroonpheng puts his name to an atmospheric and cryptic first film which shows great promise in terms of form, but which verges on the abstract  

07/09/2018 | Venice 2018 | Orizzonti

Elsa Amiel • Director of Pearl

Interview: Elsa Amiel • Director of Pearl

"I liked that contrast between pain and pleasure in bodybuilding"

VENICE 2018: French director Elsa Amiel talked to us about her feature debut, Pearl  

03/09/2018 | Venice 2018 | Giornate degli Autori

Review: Pearl

Review: Pearl

VENICE 2018: Director Elsa Amiel debuts with an intense and fascinating portrait of the controversial world of female bodybuilding and shunned motherhood  

02/09/2018 | Venice 2018 | Giornate degli Autori

Review: All Good

Review: All Good

LOCARNO 2018: The first feature by Eva Trobisch presents the untenable situation of a woman trying to deny the assault she has suffered by busying herself with everyday life  

08/08/2018 | Locarno 2018 | Filmmakers of the Present

Review: Alice T.

Review: Alice T.

LOCARNO 2018: Radu Muntean’s sixth feature is a rare, compelling portrait of teenage angst  

07/08/2018 | Locarno 2018 | Competition

Review: Ray & Liz

Review: Ray & Liz

LOCARNO 2018: Award-winning photographer Richard Billingham’s autobiographical first film gives an overpowering sense of how a bad relationship can create misery  

06/08/2018 | Locarno 2018 | Competition

Review: Sibel

Review: Sibel

Çağla Zencirci and Guillaume Giovanetti are presenting their third feature, a poignant portrait of the titular free-spirited and uncompromising woman  

03/08/2018 | Locarno 2018 | Competition

Review: “I Do Not Care if We Go Down in History as Barbarians”

Review: “I Do Not Care if We Go Down in History as Barbarians”

KARLOVY VARY 2018: Radu Jude’s new feature points an accusing finger at Romania’s obstinate Holocaust denial  

06/07/2018 | Karlovy Vary 2018 | Competition

Review: Pause

Review: Pause

KARLOVY VARY 2018: Cypriot writer-director Tonia Mishiali focuses on the position of women in a conservative and patriarchal society with an emotional and realistic debut  

05/07/2018 | Karlovy Vary 2018 | East of the West

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