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Venice 2022 / Competition

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23 articles available in total starting from 26/07/2022. Last article published on 10/09/2022.

Review: Saint Omer

Review: Saint Omer

VENICE 2022: Documentary-maker Alice Diop ventures into fiction with a sharp, singular and cryptic film exploring the surface and plunging the deepest depths of an infanticide trial  

07/09/2022 | Venice 2022 | Competition

Kōji Fukada • Director of Love Life

Interview: Kōji Fukada • Director of Love Life

“To me, a person is basically lonely, despite family or religion or any other community”

VENICE 2022: While dealing with the subject of loneliness, the Japanese writer-director inflicts cruelty on his characters, but also shows them some hope and love  

07/09/2022 | Venice 2022 | Competition

Review: The Eternal Daughter

Review: The Eternal Daughter

VENICE 2022: Joanna Hogg returns with a double helping of Tilda Swinton and a ghost story that’s on the dull side  

07/09/2022 | Venice 2022 | Competition

Review: Love Life

Review: Love Life

VENICE 2022: Rising Japanese maestro Kôji Fukada steps up to his first major festival competition slot with this neatly structured tale of intersecting marriages  

07/09/2022 | Venice 2022 | Competition

Review: Lord of the Ants

Review: Lord of the Ants

VENICE 2022: An overly classical directorial style weakens Gianni Amelio’s biopic about a scandalous “duress” lawsuit in Italy in 1968  

07/09/2022 | Venice 2022 | Competition

Review: The Banshees of Inisherin

Review: The Banshees of Inisherin

VENICE 2022: A life-long friendship goes horribly wrong in Martin McDonagh’s touching film, once again starring the beautiful pairing of Colin Farrell and Brendan Gleeson  

05/09/2022 | Venice 2022 | Competition

Review: L’immensità

Review: L’immensità

VENICE 2022: Emanuele Crialese recounts her gender-fluid adolescence in a sophisticated and colourful film, set apart by the starry presence of Penélope Cruz  

05/09/2022 | Venice 2022 | Competition

Review: Other People’s Children

Review: Other People’s Children

VENICE 2022: With brilliantly subtle simplicity, Rebecca Zlotowski paints an incredible portrait of a woman in love, without children, beautifully acted by Virginie Efira  

04/09/2022 | Venice 2022 | Competition

Review: Monica

Review: Monica

VENICE 2022: Andrea Pallaoro’s third film fails to hold the audience’s attention, relying too heavily on things left unsaid and a soporific pace  

04/09/2022 | Venice 2022 | Competition

Review: Athena

Review: Athena

VENICE 2022: Romain Gavras delivers an adrenaline-fuelled and highly emotional family tragedy that doubles as a potent allegory for the tensions of the French banlieue  

03/09/2022 | Venice 2022 | Competition

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