Venice 2022 / Competition (The article continues below - Commercial information) 23 articles available in total starting from 26/07/2022. Last article published on 10/09/2022. previous page: 1 [2] 3 next Review: Saint OmerVENICE 2022: Documentary-maker Alice Diop ventures into fiction with a sharp, singular and cryptic film exploring the surface and plunging the deepest depths of an infanticide trial 07/09/2022 | Venice 2022 | CompetitionInterview: Kōji Fukada • Director of Love Life“To me, a person is basically lonely, despite family or religion or any other community”VENICE 2022: While dealing with the subject of loneliness, the Japanese writer-director inflicts cruelty on his characters, but also shows them some hope and love 07/09/2022 | Venice 2022 | CompetitionReview: The Eternal DaughterVENICE 2022: Joanna Hogg returns with a double helping of Tilda Swinton and a ghost story that’s on the dull side 07/09/2022 | Venice 2022 | CompetitionReview: Love LifeVENICE 2022: Rising Japanese maestro Kôji Fukada steps up to his first major festival competition slot with this neatly structured tale of intersecting marriages 07/09/2022 | Venice 2022 | CompetitionReview: Lord of the AntsVENICE 2022: An overly classical directorial style weakens Gianni Amelio’s biopic about a scandalous “duress” lawsuit in Italy in 1968 07/09/2022 | Venice 2022 | CompetitionReview: The Banshees of InisherinVENICE 2022: A life-long friendship goes horribly wrong in Martin McDonagh’s touching film, once again starring the beautiful pairing of Colin Farrell and Brendan Gleeson 05/09/2022 | Venice 2022 | CompetitionReview: L’immensitàVENICE 2022: Emanuele Crialese recounts her gender-fluid adolescence in a sophisticated and colourful film, set apart by the starry presence of Penélope Cruz 05/09/2022 | Venice 2022 | CompetitionReview: Other People’s ChildrenVENICE 2022: With brilliantly subtle simplicity, Rebecca Zlotowski paints an incredible portrait of a woman in love, without children, beautifully acted by Virginie Efira 04/09/2022 | Venice 2022 | CompetitionReview: MonicaVENICE 2022: Andrea Pallaoro’s third film fails to hold the audience’s attention, relying too heavily on things left unsaid and a soporific pace 04/09/2022 | Venice 2022 | CompetitionReview: AthenaVENICE 2022: Romain Gavras delivers an adrenaline-fuelled and highly emotional family tragedy that doubles as a potent allegory for the tensions of the French banlieue 03/09/2022 | Venice 2022 | Competition previous page: 1 [2] 3 next (The article continues below - Commercial information)