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Venice 2009 / Venice Days


16 articles available in total starting from 28/07/2009. Last article published on 11/09/2009.

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Monzon’s Cell 211 takes genre film to compelling heights

A standing ovation followed the Venice Days screening of Cell 211 by Spanish director Daniel Monzon. The prison drama was presented by the director and a large part of its powerful cast: Luis...  

04/09/2009 | Venice 2009 | Venice Days/Spain

Erik Gandini’s “Videocracy” stirring up healthy controversy

Italian-born Swedish transplant Erik Gandini has made a splash on the Lido with his investigative documentary Videocracy, on the media empire that Italian president Silvio Berlusconi created,...  

04/09/2009 | Venice 2009 | Venice Days/SIC, Sweden

Ganslandt returns to Lido with The Ape

From the opening shot of Swedish director Jesper Ganslandt’s The Ape, the second official screening of the 6th Venice Days, we know something bad has happened and, as the story unfolds, that the...  

04/09/2009 | Venice 2009 | Venice Days/Sweden

Father and son Miller team make compelling family drama

Popular dramatic director Claude Miller has brought a “debut” feature to the Lido – that of his son Nathan, with whom he co-directed I’m Glad That My Mother is Alive. The film opened the six...  

03/09/2009 | Venice 2009 | Venice Days | France

Italy well represented at Filmmakers Villa

A film on “the dismantling of the film machine" in the past 30 years will represent Italy at the sixth edition of Venice Days (September 3-12). Di Me Cosa Ne Sai (“What Do You Know About Me”),...  

28/07/2009 | Venice 2009 | Venice Days

Genre cinema, provocations and women

Genre cinema rediscovered by young European filmmakers, a little bit of provocation and a lot of women’s perspectives make up the sixth edition of Venice Days (September 3-12), the independent...  

28/07/2009 | Venice 2009 | Venice Days

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