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Venice 2024 / Out of Competition

30 articles available in total starting from 02/07/2024. Last article published on 14/05/2025.

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Review: Songs of Slow Burning Earth

Review: Songs of Slow Burning Earth

VENICE 2024: In her sophomore feature-length documentary, Olha Zhurba explores the ramifications of the Russo-Ukrainian War for the Ukrainian people  

05/09/2024 | Venice 2024 | Out of Competition

Review: The New Years

Review: The New Years

VENICE 2024: Rodrigo Sorogoyen, Sara Cano and Paula Fabra present a stunning and moving series about relationships and their setbacks  

04/09/2024 | Venice 2024 | Out of Competition

Fabrice Du Welz • Director of Maldoror

Interview: Fabrice Du Welz • Director of Maldoror

"I wanted the film to be totally accessible because the subject matter is important, it goes beyond me"

VENICE 2024: We met with the Belgian filmmaker who’s presenting a family portrait morphing into an angst-ridden detective film, inspired by the criminal case which saw his homeland implode  

04/09/2024 | Venice 2024 | Out of Competition

Martina Parenti and Massimo D’Anolfi • Directors of Bestiaries, Herbaria, Lapidaries

Interview: Martina Parenti and Massimo D’Anolfi • Directors of Bestiaries, Herbaria, Lapidaries

“It is so difficult to distribute documentaries that, at the end of the day, their length doesn’t make much difference”

VENICE 2024: Cineuropa talked with the duo of Italian directors who told us how their film came to be, what’s hidden behind its title, and what unites the three acts that compose it  

04/09/2024 | Venice 2024 | Out of Competition

Review: Maldoror

Review: Maldoror

VENICE 2024: Fabrice Du Welz displays a spectacular change in register, using fiction to explore the case of Marc Dutroux, the collective trauma which shook Belgium in the ‘90s  

03/09/2024 | Venice 2024 | Out of Competition

Review: Bestiaries, Herbaria, Lapidaries

Review: Bestiaries, Herbaria, Lapidaries

VENICE 2024: The poetic feature by the Italian directing duo of Martina Parenti and Massimo D’Anolfi transports us into the heart of things, where the human eye hardly ever lingers  

03/09/2024 | Venice 2024 | Out of Competition

Review: Finalement

Review: Finalement

VENICE 2024: Claude Lelouch’s melancholic musical road fable is a treasure trove of friendly old tricks from a particularly personal filmmaker  

03/09/2024 | Venice 2024 | Out of Competition

Thomas Vinterberg • Director of Families Like Ours

Interview: Thomas Vinterberg • Director of Families Like Ours

“You could say that we inspired COVID, rather than the other way around”

VENICE 2024: The acclaimed director talks about his choice of subject, his creative process and whether there’s a Danish film wave still out there  

03/09/2024 | Venice 2024 | Out of Competition

Andres Veiel • Director of Riefenstahl

Interview: Andres Veiel • Director of Riefenstahl

“It is not just a finished life story, but a warning for the future”

VENICE 2024: The German director discusses Leni Riefenstahl’s efforts to rewrite her own history while digging herself an even deeper grave  

02/09/2024 | Venice 2024 | Out of Competition

Series review: Families Like Ours

Series review: Families Like Ours

VENICE 2024: In his heartfelt debut miniseries, Thomas Vinterberg sends six million Danes off towards homelessness and statelessness  

02/09/2024 | Venice 2024 | Out of Competition

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