email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Venice 2026

(The article continues below - Commercial information)
insularia_Josué

122 articles available in total starting from 10/12/2025. Last article published on 15/09/2026.

page:   1  [2]  3  4  5  6  7  8 ... 11  12  13 
Review: Until the Day Ends

Review: Until the Day Ends

VENICE 2026: Jelena Maksimović signs one of the most visually distinctive entries in the Orizzonti sidebar, a semi-allegorical film set amidst Serbia’s ongoing student protests  

12/09 | Venice 2026 | Orizzonti

Venice announces the winners of its parallel awards

Venice announces the winners of its parallel awards

Hirokazu Koreeda’s Look Back, Yuval Abraham and Rachel Szor’s Naza, and Lee Chang-dong’s Possible Love are among the most-awarded titles  

12/09 | Venice 2026 | Awards

Review: A Man's Skin

Review: A Man's Skin

VENICE 2026: With her second feature, Léa Domenach ushers audiences into a queer, feminist fairy tale set in the 15th century yet perfectly attuned to the present  

12/09 | Venice 2026 | Giornate degli Autori

Review: Back to Buenos Aires

Review: Back to Buenos Aires

VENICE 2026: Marco Bechis revisits his memories of imprisonment in a clandestine military jail during Argentina’s dictatorship through this taut, cathartic film  

12/09 | Venice 2026 | Competition

Tommaso Usberti’s Before the War scoops the Grand Prize in Venice’s International Film Critics’ Week

Tommaso Usberti’s Before the War scoops the Grand Prize in Venice’s International Film Critics’ Week

The End of Times has snagged both a Special Mention and the Mario Serandrei – Hotel Saturnia Prize, whilst Our Share of Sand won over the audience  

12/09 | Venice 2026 | International Film Critics’ Week/Awards

Damilola Orimogunje • Director of Dear Ajayi

Interview: Damilola Orimogunje • Director of Dear Ajayi

"These two sisters react at the society in their own ways, and for me it was very important not to judge them"

VENICE 2026: The director talks about his second feature, set in 1990s Nigeria and centring on two sisters who are trying to find their place in the world  

12/09 | Venice 2026 | Giornate degli Autori

Review: Nino – A Film About Nino Rota

Review: Nino – A Film About Nino Rota

VENICE 2026: Walter Fasano has crafted a full-blown personal monument to a true maestro of his domain  

11/09 | Venice 2026 | Venice Open Out of Competition

Review: A Bit of Light

Review: A Bit of Light

VENICE 2026: The latest feature by Iranian helmer Ali Asgari is an attempt at an existential drama questioning the meaning of life amid the reality of ongoing suffering  

11/09 | Venice 2026 | Competition

Sometimes Sadness, Sometimes Rebellion wins the GdA Director’s Award in the Giornate degli Autori

Sometimes Sadness, Sometimes Rebellion wins the GdA Director’s Award in the Giornate degli Autori

VENICE 2026: The film by María Aparicio has taken home the top prize; the Europa Cinemas Label went to A Woman Today and the People’s Choice Award to Balcanica  

11/09 | Venice 2026 | Giornate degli Autori/Awards

Nicolas Pariser • Director of One Minute to Midnight

Interview: Nicolas Pariser • Director of One Minute to Midnight

"I decided to explore a character carrying out an investigation that’s actually an investigation of himself"

VENICE 2026: The French filmmaker explains why he went against prevailing narrative conventions to reflect on male-female relations  

11/09 | Venice 2026 | Competition

page:   1  [2]  3  4  5  6  7  8 ... 11  12  13 
(The article continues below - Commercial information)

Privacy Policy

Creative Europe MEDIA