Zinebi 2022 17 articles available in total starting from 12/02/2022. Last article published on 21/11/2022. previous page: 1 [2] Review: Music for Black PigeonsVENICE 2022: Jørgen Leth and Andreas Koefoed deliver a deep Danish dive into the sounds and silences of contemporary jazz, its players and their thoughts 08/09/2022 | Venice 2022 | Out of CompetitionReview: Casa SusannaVENICE 2022: Digging into his favourite topic of the different facets of identity, Sébastien Lifshitz signs a remarkable documentary on a phalanstery of American transvestites in the 1950s and 1960s 03/09/2022 | Venice 2022 | Giornate degli AutoriReview: How to Save a Dead FriendRaw and moving, Marusya Syroechkovskaya's documentary describes growing up in 21st-century Russia, but is so intimate and honest that it would probably work just as well in a vacuum 20/04/2022 | Visions du Réel 2022 | CompetitionReview: OutsideUkrainian director Olha Zhurba’s powerful and heart-breaking debut feature leads us through the ruins of a life cut short from birth 28/03/2022 | CPH:DOX 2022Review: See You Friday RobinsonBERLINALE 2022: Ebrahim Golestan and Jean-Luc Godard, New Wavers Iranian and French, embark on an email round-robin conversation in this amusing documentary from Godard collaborator Mitra Farahani 21/02/2022 | Berlinale 2022 | EncountersReview: MutzenbacherBERLINALE 2022: For Ruth Beckermann, a century-old erotic classic proves an effective catalyst when exploring contemporary male morals 14/02/2022 | Berlinale 2022 | EncountersReview: A Flower in the MouthBERLINALE 2022: Éric Baudelaire adapts Pirandello in a very singular fashion in a strange and intelligent film that doesn’t look like any other and dominated by the captivating Oxmo Puccino 12/02/2022 | Berlinale 2022 | Forum previous page: 1 [2]