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1168 articles available in total starting from 16/01/2003. Last article published on 06/02/2026.

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Alexandra Simpson • Director of No Sleep Till

Interview: Alexandra Simpson • Director of No Sleep Till

“This wait for something bigger than you was something that I wanted to be palpable from the very beginning”

VENICE 2024: The half-French, half-US filmmaker chats to us about hurricanes, Florida and finding the beauty in disaster  

03/09/2024 | Venice 2024 | International Film Critics’ Week

Review: No Sleep Till

Review: No Sleep Till

VENICE 2024: It’s hurricane season in the Sunshine State in Alexandra Simpson’s meandering but mesmerising feature debut, which is never short on vibes  

03/09/2024 | Venice 2024 | International Film Critics’ Week

Luis Ortega • Director of Kill the Jockey

Interview: Luis Ortega • Director of Kill the Jockey

“When you take yourself too seriously, you fuck it all up”

VENICE 2024: In the Argentinian director’s film, life is dark, and that’s funny – as long as you don’t take it personally  

02/09/2024 | Venice 2024 | Competition

Review: The Brutalist

Review: The Brutalist

VENICE 2024: Brady Corbet goes big and dark, delivering his best film to date, which is fascinating, exhausting and profoundly sad  

01/09/2024 | Venice 2024 | Competition

Deepak Rauniyar, Asha Magrati • Director of and lead actress in Pooja, Sir

Interview: Deepak Rauniyar, Asha Magrati • Director of and lead actress in Pooja, Sir

“We felt that it was our responsibility to make a film that everyday media could not cover”

VENICE 2024: The director and the lead actress, who are personal and professional partners, speak about their impetus to collaborate on a film inspired by their relationship  

30/08/2024 | Venice 2024 | Orizzonti

Review: Kill the Jockey

Review: Kill the Jockey

VENICE 2024: After an intriguing set-up introducing its quirky lead character, Luis Ortega’s film loses its way owing to confusing writing and clunky character development  

30/08/2024 | Venice 2024 | Competition

Review: Homegrown

Review: Homegrown

VENICE 2024: Artist and Occupy activist Michael Premo’s documentary is a chilling, if familiar, dispatch from the USA’s late Trump era  

30/08/2024 | Venice 2024 | International Film Critics’ Week

Review: Maria

Review: Maria

VENICE 2024: Pablo Larraín concludes his “lonely ladies in empty apartments” trilogy, but this particular aria feels overlong  

29/08/2024 | Venice 2024 | Competition

Review: Pooja, Sir

Review: Pooja, Sir

VENICE 2024: Deepak Rauniyar’s third feature is a thriller of byzantine complexity headlined by a queer police detective, set amidst Nepal’s 2015 ethnic-minority movements  

29/08/2024 | Venice 2024 | Orizzonti

Iva Radivojević • Director of When the Phone Rang

Interview: Iva Radivojević • Director of When the Phone Rang

“I couldn’t imagine this film in a digital format”

The Yugoslavian-born director recalls the collapse of her native country in her newest film  

14/08/2024 | Locarno 2024 | Cineasti del Presente

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