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10914 articles available in total starting from 17/05/2002. Last article published on 01/08/2025.

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Review: Wild Foxes

Review: Wild Foxes

CANNES 2025: Valéry Carnoy delivers a sensitive, embodied first feature, in the breath of its hero, who for the duration of an intense interlude will question the rest of his story  

17/05 | Cannes 2025 | Directors’ Fortnight

Review: I Only Rest in the Storm

Review: I Only Rest in the Storm

CANNES 2025: Portuguese auteur Pedro Pinho crafts an epic chronicle of an expat NGO worker discovering himself in Guinea-Bissau  

17/05 | Cannes 2025 | Un Certain Regard

Review: Renoir

Review: Renoir

CANNES 2025: Japanese filmmaker Chie Hayakawa weaves an infinitely delicate work on childhood’s look at the tortured world of adults  

17/05 | Cannes 2025 | Competition

Review: Love Letters

Review: Love Letters

CANNES 2025: Ella Rumpf and Monia Chokri shine as the pioneers of medically assisted procreation in Alice Douard's debut feature, a sensitive novel about the intimacy of a couple and motherhood  

17/05 | Cannes 2025 | Critics’ Week

Review: A Useful Ghost

Review: A Useful Ghost

CANNES 2025: Ratchapoom Boonbunchachoke reveals his exceptional talent with a highly original, funny, subtle, inventive and intelligent first feature  

17/05 | Cannes 2025 | Critics’ Week

Review: The Little Sister

Review: The Little Sister

CANNES 2025: Hafsia Herzi directs with tenderness and energy the romantic journey of a young woman searching for new sensations but subjected to voluntary servitude  

17/05 | Cannes 2025 | Competition

Laura Wandel • Director of Adam’s Sake

Interview: Laura Wandel • Director of Adam’s Sake

"The question of empathy, care and treatment is at the heart of the film"

CANNES 2025: The Belgian filmmaker talks to us about her breathless, immersive portrait of a paediatric nurse who reaches the limits of her practice  

17/05 | Cannes 2025 | Critics’ Week

Yannick Bossenmeyer • Co-CEO, Blockframes

Interview: Yannick Bossenmeyer • Co-CEO, Blockframes

“AI Magic Import is a small revolution and will save producers a huge amount of time in film revenue management”

CANNES 2025: The co-CEO delves into the intricacies of AI Magic Import, a groundbreaking tool automating film revenue waterfalls  

17/05 | Cannes 2025 | Marché du Film

Review: Kika

Review: Kika

CANNES 2025: In her first fiction feature, Alexe Poukine paints the tragicomic portrait of a young woman who can’t stop for fear of falling  

16/05 | Cannes 2025 | Critics’ Week

Julia Kowalski • Director of Her Will Be Done

Interview: Julia Kowalski • Director of Her Will Be Done

“This is a witch film”

CANNES 2025: The French director talks to us about the dark magic in her film, religion and her Polish roots  

16/05 | Cannes 2025 | Directors’ Fortnight

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