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11774 articles available in total starting from 17/05/2002. Last article published on 22/09/2026.

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The audience crowns I See Buildings Fall Like Lightning as its champion in the Cannes Directors’ Fortnight

The audience crowns I See Buildings Fall Like Lightning as its champion in the Cannes Directors’ Fortnight

CANNES 2026 : British director Clio Barnard’s film has clinched the Audience Award, Too Many Beasts took home the Europa Cinemas Label and Shana scooped the SACD Coup de Cœur Award  

22/05 | Cannes 2026 | Directors’ Fortnight/Awards

Sara Ishaq • Director of The Station

Interview: Sara Ishaq • Director of The Station

“This film is a collection of contrasts”

CANNES 2026: The director discusses how she attempted to offer an escape from war, if only for a moment  

22/05 | Cannes 2026 | Critics’ Week

Review: Orange Flavoured Wedding

Review: Orange Flavoured Wedding

CANNES 2026: Christophe Honoré immerses himself in the unrestrained and tumultuous atmosphere of a working-class wedding, where emotions intertwine and clash in a sombre family portrait  

22/05 | Cannes 2026 | Cannes Première

Emmanuel Marre • Director of A Man of His Time

Interview: Emmanuel Marre • Director of A Man of His Time

"I wanted to capture the faces behind the major historical figures, the people in the background"

CANNES 2026: The filmmaker talks to us about his second feature film, a story on the French Collaboration, directly inspired by his great-grandfather’s own experiences  

21/05 | Cannes 2026 | Competition

Andrey Zvyagintsev • Director of Minotaur

Interview: Andrey Zvyagintsev • Director of Minotaur

“It was very important to highlight that moment when one cannot escape ethical responsibility”

CANNES 2026: The exiled Russian filmmaker talks to us about his free adaptation of a Claude Chabrol film, set against the backdrop of the war launched by Russia in 2022  

21/05 | Cannes 2026 | Competition

Bruno Dumont • Director of Red Rocks

Interview: Bruno Dumont • Director of Red Rocks

“I wanted to return to something primary, where everything begins"

CANNES 2026: One of France’s most unusual filmmakers surprises once again by confronting the limitations of the modern world while striving towards a bright utopia  

21/05 | Cannes 2026 | Directors’ Fortnight

Olivier Clert • Director of Lucy Lost

Interview: Olivier Clert • Director of Lucy Lost

“Animation is a great tool to find the mystery in reality”

CANNES 2026: The French director behind Xilam’s new animated feature discusses its visual style and approach to adaptation in his debut featur  

21/05 | Cannes 2026 | Séances spéciales

Review: Aquí

Review: Aquí

CANNES 2026: Tiago Guedes’s 200-minute adaptation of JM Coetzee's Jesus trilogy is a striking philosophical journey through the life of David, a unique boy  

21/05 | Cannes 2026 | Cannes Première

Review: Viva Carmen

Review: Viva Carmen

CANNES 2026: Animated and full of life, Sébastien Laudenbach’s take on the fiery opera character is a real treat  

21/05 | Cannes 2026 | Directors’ Fortnight

Hélène Rosselet-Ruiz • Director of Madame

Interview: Hélène Rosselet-Ruiz • Director of Madame

“This film is a reflection on my own experiences of class-based violence"

CANNES 2026: The French filmmaker explains how her first feature film, a story set within the insular world of extreme wealth, came about  

21/05 | Cannes 2026 | Special Screenings

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