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France / Belgium

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1119 articles available in total starting from 24/02/2003. Last article published on 14/01/2026.

Review: Beating Hearts

Review: Beating Hearts

CANNES 2024: Despite its energy, the step of the Cannes competition was way too high to reach for Gilles Lellouche with his very kitsch film of love and violence full of clichés  

24/05/2024 | Cannes 2024 | Competition

Gints Zilbalodis • Director of Flow

Interview: Gints Zilbalodis • Director of Flow

“Creating a sense of hand-made artistry was crucial”

CANNES 2024: We sat down with the renowned Latvian animation director to discuss apocalyptic floods and domestic animals  

23/05/2024 | Cannes 2024 | Un Certain Regard

Review: Queens of Drama

Review: Queens of Drama

CANNES 2024: Alexis Langlois uses the tropes of the rock musical and De Palma-esque imagery to tell an extremely gay love story, but could have pushed things even further  

23/05/2024 | Cannes 2024 | Critics’ Week

Review: Jim’s Story

Review: Jim’s Story

CANNES 2024: Karim Leklou lights up a magnificent and poignant film by Arnaud and Jean-Marie Larrieu, about the long trajectory of a complex paternity  

22/05/2024 | Cannes 2024 | Cannes Premiere

Review: Animale

Review: Animale

CANNES 2024: Emma Benestan delivers a modern western and metaphorical fantasy film about a woman who has to find her place in a male-dominated world  

22/05/2024 | Cannes 2024 | Critics’ Week

Review: Across the Sea

Review: Across the Sea

CANNES 2024: Saïd Hamich Benlarbi depicts the eventful and soulful journey of a young Maghrebi man seeking his fortune in France  

19/05/2024 | Cannes 2024 | Critics’ Week

Saïd Hamich Benlarbi • Director of Across the Sea

Interview: Saïd Hamich Benlarbi • Director of Across the Sea

“I have lived through the experience of exile”

CANNES 2024: In his new film, the French-Moroccan director salutes the dreamers and those who never truly feel at home  

18/05/2024 | Cannes 2024 | Critics’ Week

Review: Everybody Loves Touda

Review: Everybody Loves Touda

CANNES 2024: As a singer and a woman in search of freedom, Nisrin Erradi magnetises a poignant, classic yet imperfect melodrama by Nabil Ayouch  

17/05/2024 | Cannes 2024 | Cannes Premiere

Jonathan Millet • Director of Ghost Trail

Interview: Jonathan Millet • Director of Ghost Trail

"My goal was to add tension using very simple things”

CANNES 2024: The French filmmaker talks about his first fiction feature, a fascinating piece combining the codes of the spy movie and psychological confrontation  

15/05/2024 | Cannes 2024 | Critics’ Week

Review: Ghost Trail

Review: Ghost Trail

CANNES 2024: Jonathan Millet creates a spellbinding first feature about revenge, trauma and exile through the obsessive pursuit of a Syrian war criminal hiding in Europe  

15/05/2024 | Cannes 2024 | Critics’ Week

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