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1168 articles available in total starting from 16/01/2003. Last article published on 06/02/2026.

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Review: The Surfer

Review: The Surfer

CANNES 2024: Nicolas Cage once again gives his all in Lorcan Finnegan’s beach-bound psychological thriller  

24/05/2024 | Cannes 2024 | Midnight Screenings

Review: Viet and Nam

Review: Viet and Nam

CANNES 2024: Trương Minh Quý’s first fiction feature is a queer romance between two young coal miners, one of whom yearns to leave Vietnam  

22/05/2024 | Cannes 2024 | Un Certain Regard

Review: The Substance

Review: The Substance

CANNES 2024: Coralie Fargeat delivers a brutal, post-modernist and feminist version of the Faustian pact, bellowing upon the spirit of Cronenberg, Lynch, Kubrick and various others  

20/05/2024 | Cannes 2024 | Competition

Review: Eephus

Review: Eephus

CANNES 2024: Carson Lund’s debut feature takes us out to the ball game, with far more melancholic results than expected  

20/05/2024 | Cannes 2024 | Directors’ Fortnight

Review: Kinds of Kindness

Review: Kinds of Kindness

CANNES 2024: Being weird for the sake of it isn’t enough to enable Yorgos Lanthimos to craft a compelling cinematic experience, so his new effort remains colourful yet hollow  

18/05/2024 | Cannes 2024 | Competition

Review: It Doesn’t Matter

Review: It Doesn’t Matter

CANNES 2024: US indie maverick Josh Mond’s second feature sees a filmmaker arranging his troubled friend’s video diaries into a documentary  

17/05/2024 | Cannes 2024 | ACID

Josh Mond • Director of It Doesn’t Matter

Interview: Josh Mond • Director of It Doesn’t Matter

“As my movies are so personal, it's important to be surrounded by people who are there for the right reasons”

CANNES 2024: We sat down with the independent US helmer to discuss the collaborative filmmaking process, his central character and the European dream  

16/05/2024 | Cannes 2024 | ACID

Review: Locust

Review: Locust

CANNES 2024: A mute young man gets caught up with some local tough guys in the neo-noir debut from Taiwanese-US filmmaker KEFF  

16/05/2024 | Cannes 2024 | Critics’ Week

Review: The Damned

Review: The Damned

CANNES 2024: Roberto Minervini makes the leap from documentaries to historical fiction with a film set in the American War of Secession, referencing the modern day  

16/05/2024 | Cannes 2024 | Un Certain Regard

Nathalie Biancheri's third feature, Takes One to Know One, set to enter production in Italy this year

Nathalie Biancheri's third feature, Takes One to Know One, set to enter production in Italy this year

Described as an "unconventional and contemporary take on romance", the picture stars Olivia Cooke and Jamie Bell in the leading roles  

08/05/2024 | Production | Funding | UK/USA

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