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10906 articles available in total starting from 17/05/2002. Last article published on 25/07/2025.

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Review: Under the Fig Trees

Review: Under the Fig Trees

CANNES 2022: Erige Sehiri’s new feature has hints of Éric Rohmer as it shows Tunisian women working and flirting on an orchard  

23/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: Return to Seoul

Review: Return to Seoul

CANNES 2022: Davy Chou confirms his talent with a highly effective second fiction feature about a turbulent and touching initiatory journey tracing back an adoption  

23/05/2022 | Cannes 2022 | Un Certain Regard

Review: Little Nicholas – Happy as Can Be

Review: Little Nicholas – Happy as Can Be

CANNES 2022: Benjamin Massoubre and Amandine Fredon have put together a delightful, nostalgia-tinged treat that’s probably more fun for parents than for their kids  

23/05/2022 | Cannes 2022 | Special Screenings

The Visitor scoops the Next Step Award at Cannes

The Visitor scoops the Next Step Award at Cannes

CANNES 2022: The project by Lithuania’s Vytautas Katkus has taken home the award handed out by the Critics’ Week to accompany talents as they make the leap from short to feature films  

23/05/2022 | Cannes 2022 | Critics’ Week/Awards

Review: Boy from Heaven

Review: Boy from Heaven

CANNES 2022: There’s wall-to-wall intrigue and conspiracy within the confines of Cairo's Al-Azhar University, in Tarik Saleh’s new outing  

23/05/2022 | Cannes 2022 | Competition

Review: The Five Devils

Review: The Five Devils

CANNES 2022: Witchcraft plays a bad trick on Léa Mysius with her overly ambitious film, which puzzles audiences despite its good qualities  

23/05/2022 | Cannes 2022 | Directors' Fortnight

Review: Magdala

Review: Magdala

CANNES 2022: By magnifying the extraordinary expressive talents of Elsa Wolliaston, Damien Manivel offers a mystic and sensorial cinematic experience that is both radical and nourishing  

23/05/2022 | Cannes 2022 | ACID

Review: Falcon Lake

Review: Falcon Lake

CANNES 2022: Charlotte Le Bon’s directorial debut is certainly not the coming-of-age film one might expect to watch  

22/05/2022 | Cannes 2022 | Directors’ Fortnight

Davy Chou • Director of Return to Seoul

Interview: Davy Chou • Director of Return to Seoul

“I take great pleasure in helping filmmakers accomplish their vision, when I really admire their talent”

CANNES 2022: We met up with the French-Cambodian director, who has crafted an impressive and intimate feature around the topics of adoption and identity  

22/05/2022 | Cannes 2022 | Un Certain Regard

Review: Don Juan

Review: Don Juan

CANNES 2022: Serge Bozon offers up a clever, episodic work in the form of a double-bottomed inversion of the legend of Don Juan, played by Tahar Rahim who’s made vulnerable by a many-faced...  

22/05/2022 | Cannes 2022 | Cannes Première

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