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10897 articles available in total starting from 17/05/2002. Last article published on 23/07/2025.

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Review: Dark Glasses

Review: Dark Glasses

BERLINALE 2022: Dario Argento is back with a film that’s so bad it’s not even good  

14/02/2022 | Berlinale 2022 | Berlinale Special

Review: The Passengers of the Night

Review: The Passengers of the Night

BERLINALE 2022: Mikhaël Hers further refines his airy, delicate and sensitive style with a magnificent existentialist film about a few years in the life of a small Parisian family in the 1980s  

13/02/2022 | Berlinale 2022 | Competition

Review: Everything Will Be OK

Review: Everything Will Be OK

BERLINALE 2022: Rithy Panh’s new documentary is a grandiose vision, told with wooden figurines, where animals have evolved to enslave humans  

13/02/2022 | Berlinale 2022 | Competition

Quentin Dupieux • Director of Incredible but True

Interview: Quentin Dupieux • Director of Incredible but True

“If you explain too much, suddenly it turns into a terrible movie”

BERLINALE 2022: In his new film, the French director has a secret, and he is going to keep it  

13/02/2022 | Berlinale 2022 | Berlinale Special

Review: Rabiye Kurnaz vs. George W. Bush

Review: Rabiye Kurnaz vs. George W. Bush

BERLINALE 2022: Andreas Dresen’s new film tells of the odyssey of an ordinary woman forced to transform herself into a true “Mother Courage”  

13/02/2022 | Berlinale 2022 | Competition

Review: Coma

Review: Coma

BERLINALE 2022: Bertrand Bonello offers up a spellbinding experimental film, a handcrafted work of creative genius made very freely, during a time of lockdowns and of mental escape into the depths  

12/02/2022 | Berlinale 2022 | Encounters

Review: Dreaming Walls

Review: Dreaming Walls

Amélie Van Elmbt and Maya Duverdier deliver a documentary portrait of the legendary Chelsea Hotel, paying a historic, fantasy visit to this bohemian New York Mecca  

12/02/2022 | Berlinale 2022 | Panorama

Review: A Flower in the Mouth

Review: A Flower in the Mouth

BERLINALE 2022: Éric Baudelaire adapts Pirandello in a very singular fashion in a strange and intelligent film that doesn’t look like any other and dominated by the captivating Oxmo Puccino  

12/02/2022 | Berlinale 2022 | Forum

Review: Incredible but True

Review: Incredible but True

BERLINALE 2022: With his latest film, Quentin Dupieux will be able to turn anyone into a “basement person”  

12/02/2022 | Berlinale 2022 | Berlinale Special

Review: We, Students!

Review: We, Students!

BERLINALE 2022: Rafiki Fariala's first feature is a warm and insightful documentary about friendship and the situation of students at the University of Bangui in the Central African Republic  

12/02/2022 | Berlinale 2022 | Panorama

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