Switzerland (The article continues below - Commercial information) 1859 articles available in total starting from 12/08/2002. Last article published on 14/09/2026. previous page: 1 2 3 ... 25 26 [27] 28 29 ... 184 185 186 next Review: Alpha.VENICE 2024: A troubled father-son relationship threatens to escalate and cause unforeseeable consequences amidst the stunning surroundings of the Alps in Jan-Willem van Ewijk’s fourth feature 04/09/2024 | Venice 2024 | Giornate degli AutoriInterview: Martina Parenti and Massimo D’Anolfi • Directors of Bestiaries, Herbaria, Lapidaries“It is so difficult to distribute documentaries that, at the end of the day, their length doesn’t make much difference”VENICE 2024: Cineuropa talked with the duo of Italian directors who told us how their film came to be, what’s hidden behind its title, and what unites the three acts that compose it 04/09/2024 | Venice 2024 | Out of CompetitionReview: Bestiaries, Herbaria, LapidariesVENICE 2024: The poetic feature by the Italian directing duo of Martina Parenti and Massimo D’Anolfi transports us into the heart of things, where the human eye hardly ever lingers 03/09/2024 | Venice 2024 | Out of CompetitionInterview: Rusudan Glurjidze • Director of The Antique"We have more power than politicians: with our voices, we can deliver many messages"VENICE 2024: The Georgian director talks about her film inspired by the illegal deportation of thousands of Georgians that took place in Russia in 2006 03/09/2024 | Venice 2024 | Giornate degli AutoriInterview: Alexandra Simpson • Director of No Sleep Till“This wait for something bigger than you was something that I wanted to be palpable from the very beginning”VENICE 2024: The half-French, half-US filmmaker chats to us about hurricanes, Florida and finding the beauty in disaster 03/09/2024 | Venice 2024 | International Film Critics’ WeekReview: No Sleep TillVENICE 2024: It’s hurricane season in the Sunshine State in Alexandra Simpson’s meandering but mesmerising feature debut, which is never short on vibes 03/09/2024 | Venice 2024 | International Film Critics’ WeekInterview: Amos Gitai • Director of Why War“I would like to embrace the idea of the filmmaker or the artist as a healer”VENICE 2024: The Israeli director offers a kaleidoscopic film essay on war, fuelled by a historic exchange of letters between Albert Einstein and Sigmund Freud 31/08/2024 | Venice 2024 | Out of CompetitionReview: The AntiqueVENICE 2024: The second feature by Rusudan Glurijdze portrays the encounter between two generations and two people, against the backdrop of the mass deportations of Georgians from Russia in 2006 31/08/2024 | Venice 2024 | Giornate degli AutoriReview: Why WarVENICE 2024: In his philosophical film essay, Israeli director Amos Gitai tries to explore the root of mankind’s lust for war and destruction 31/08/2024 | Venice 2024 | Out of CompetitionEXCLUSIVE: Poster and first clip for Venice Giornate degli Autori entry The AntiqueThe new film by Rusudan Glurjidze recounts the tragic measures taken against the Georgian people in St Petersburg in 2006 29/08/2024 | Venice 2024 | Giornate degli Autori previous page: 1 2 3 ... 25 26 [27] 28 29 ... 184 185 186 next (The article continues below - Commercial information)