email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Germany / France

(The article continues below - Commercial information)

720 articles available in total starting from 03/07/2002. Last article published on 02/12/2025.

Pietro Marcello • Director of Scarlet

Interview: Pietro Marcello • Director of Scarlet

"For me cinema is a family"

CANNES 2022: The Italian director discusses the cast and the challenges of making his first French-language film, as well as the topics it tackles, such as gender  

25/05/2022 | Cannes 2022 | Directors' Fortnight

Review: A Male

Review: A Male

CANNES 2022: Colombian filmmaker Fabián Hernández’s debut queers the gangland coming-of-age film  

24/05/2022 | Cannes 2022 | Directors' Fortnight

Dmytro Sukholytkyy-Sobchuk • Director of Pamfir

Interview: Dmytro Sukholytkyy-Sobchuk • Director of Pamfir

“Even if we’re talking about absolute good, it always has a side effect”

CANNES 2022: We chatted to the Ukrainian director about the origins of his feature debut, the intriguing dialect its characters use, and its possible roots in British thrillers  

24/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: Return to Seoul

Review: Return to Seoul

CANNES 2022: Davy Chou confirms his talent with a highly effective second fiction feature about a turbulent and touching initiatory journey tracing back an adoption  

23/05/2022 | Cannes 2022 | Un Certain Regard

Davy Chou • Director of Return to Seoul

Interview: Davy Chou • Director of Return to Seoul

“I take great pleasure in helping filmmakers accomplish their vision, when I really admire their talent”

CANNES 2022: We met up with the French-Cambodian director, who has crafted an impressive and intimate feature around the topics of adoption and identity  

22/05/2022 | Cannes 2022 | Un Certain Regard

Review: Holy Spider

Review: Holy Spider

CANNES 2022: Ali Abbasi, the crazed Iranian-born genius behind the Un Certain Regard winner Border, delivers another masterful work, this time in the main competition  

22/05/2022 | Cannes 2022 | Competition

Review: Triangle of Sadness

Review: Triangle of Sadness

CANNES 2022: Östlund helms a diabolically mischievous “Rubensonade” among the rich and the filthy  

22/05/2022 | Cannes 2022 | Competition

Review: More Than Ever

Review: More Than Ever

CANNES 2022: Emily Atef delivers a wonderful melodrama about the approach of death, whisking us from Bordeaux to Norway in the wake of the charismatic Vicky Krieps and the much-missed Gaspard Ulliel  

21/05/2022 | Cannes 2022 | Un Certain Regard

Review: One Fine Morning

Review: One Fine Morning

CANNES 2022: An expert in observing and distilling the micro-emotions which form the fabric of our lives, Mia Hansen-Løve paints a wonderful portrait of a woman facing a crossroads in her life  

20/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: Corsage

Review: Corsage

CANNES 2022: Director Marie Kreutzer and actress Vicky Krieps reunite for this alternative look at the life of Empress Elisabeth of Austria  

20/05/2022 | Cannes 2022 | Un Certain Regard

(The article continues below - Commercial information)

Privacy Policy