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11779 articles available in total starting from 17/05/2002. Last article published on 23/09/2026.

page:   1  2  3 ... 27  28  [29]  30  31 ... 1176  1177  1178 
Review: The Beloved

Review: The Beloved

CANNES 2026: Rodrigo Sorogoyen delivers a captivating film, superbly written, directed and performed, about the complicated reunion between a film director and his daughter, an actress  

16/05 | Cannes 2026 | Competition

Valentina Maurel • Director of Forever Your Maternal Animal

Interview: Valentina Maurel • Director of Forever Your Maternal Animal

“I still resist the idea that fiction is there to depict a linear path”

CANNES 2026: We talked with the filmmaker who continues to put Costa Rica on the map of arthouse cinema, as she takes us on the journey of a young woman returning to San José  

16/05 | Cannes 2026 | Un Certain Regard

Charline Bourgeois-Tacquet • Director of A Woman’s Life

Interview: Charline Bourgeois-Tacquet • Director of A Woman’s Life

“What interests me is the intensity, the depth, the human dimension, the very heart of intimacy”

CANNES 2026: The director explains why it was so important to her to make a film centred on a woman in her fifties, exploring all the different facets of her life  

16/05 | Cannes 2026 | Competition

Review: Flesh and Fuel

Review: Flesh and Fuel

CANNES 2026: As a lone lorry driver swept up in an international whirlwind romance, Alexis Manenti captivates in Pierre Le Gall’s original debut feature film  

16/05 | Cannes 2026 | Critics’ Week

Review: La Gradiva

Review: La Gradiva

CANNES 2026: Marine Atlan crafts a staggeringly rich and highly artistic first feature film following in the wake of a group of French youngsters on a school trip in Italy  

16/05 | Cannes 2026 | Critics’ Week

Paweł Pawlikowski • Director of Fatherland

Interview: Paweł Pawlikowski • Director of Fatherland

“They’re put up against a divided Germany that, on one hand, is very crude and, on the other, is also crude but a bit more interesting”

CANNES 2026: The Polish director shares some reflections on his new work, focused on the return of Thomas Mann from his US exile to post-war Germany(s)  

16/05 | Cannes 2026 | Competition

Review: All of a Sudden

Review: All of a Sudden

CANNES 2026: Turning his gaze to France, Ryûsuke Hamaguchi chisels out a brilliant and original collector’s piece, brimming with humanity, love and political resonance  

16/05 | Cannes 2026 | Competition

Review: Gentle Monster

Review: Gentle Monster

CANNES 2026: Marie Kreutzer exorcises her own demons in a drama that asks some very, very uncomfortable questions  

16/05 | Cannes 2026 | Competition

Review: The Blow

Review: The Blow

CANNES 2026: With his debut feature, Julien Gaspar-Oliveri crafts a shifting portrait of two siblings confronted by the return of their father and an impossible rift  

15/05 | Cannes 2026 | Critics’ Week

Vincent Garenq • Director of Forsaken

Interview: Vincent Garenq • Director of Forsaken

“We wanted to make a film that reflects France, featuring actors from different backgrounds and with different beliefs, centred on the values of liberty, equality and fraternity”

CANNES 2026: The French director discusses the political significance of his film, as well as the importance of telling Samuel Paty’s story to a young audience  

15/05 | Cannes 2026 | Out of Competition

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