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Arras 2024

56 articles available in total starting from 29/01/2024. Last article published on 19/11/2024.

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Fabio Grassadonia and Antonio Piazza • Directors of Sicilian Letters

Interview: Fabio Grassadonia and Antonio Piazza • Directors of Sicilian Letters

“This is a dark comedy about the narcissism and the vanity of a real fugitive boss”

VENICE 2024: We talked with the duo of Italian directors about the creation of their singular grotesque comedy  

07/09/2024 | Venice 2024 | Competition

Review: The Time It Takes

Review: The Time It Takes

VENICE 2024: Francesca Comencini tells the story of her special relationship with her father Luigi, master of Italian cinema, at the most difficult moment of her life  

06/09/2024 | Venice 2024 | Out of Competition

Zhanna Ozirna • Director of Honeymoon

Interview: Zhanna Ozirna • Director of Honeymoon

“The Western world got tired of the war way too early”

VENICE 2024: The Ukrainian director shows a completely different kind of honeymoon, as a couple is confined to a flat and must make sure that no one knows they are there  

06/09/2024 | Venice 2024 | Biennale College Cinema

Review: Sicilian Letters

Review: Sicilian Letters

VENICE 2024: Fabio Grassadonia and Antonio Piazza continue their reflection on the Mafia culture in Sicily, with Elio Germano in the shoes of a boss in hiding and Toni Servillo as a corrupt politician  

05/09/2024 | Venice 2024 | Competition

Maura Delpero • Director of Vermiglio

Interview: Maura Delpero • Director of Vermiglio

“My protagonist becomes a free woman out of necessity”

VENICE 2024: The Italian director chatted with us about motherhood, documentaries, fiction and the female outlook, and about Ermanno Olmi  

04/09/2024 | Venice 2024 | Competition

Vojtěch Strakatý • Director of After Party

Interview: Vojtěch Strakatý • Director of After Party

“I was inspired by the women around me and felt characters like them weren’t adequately represented on screen”

VENICE 2024: The emerging Czech director discusses the interplay between personal inspiration and fictional storytelling, and his approach to blending genres  

04/09/2024 | Venice 2024 | Orizzonti Extra

Review: After Party

Review: After Party

VENICE 2024: Czech director Vojtěch Strakatý offers a refreshing take on the coming-of-age genre in his feature debut, depicting a young student's abrupt confrontation with adulthood  

03/09/2024 | Venice 2024 | Orizzonti Extra

Review: Vermiglio

Review: Vermiglio

VENICE 2024: Maura Delpero gets back to exploring motherhood in a film set at the end of the Second World War, which is visually and mentally stimulating  

03/09/2024 | Venice 2024 | Competition

Review: The New Year That Never Came

Review: The New Year That Never Came

VENICE 2024: Bogdan Mureşanu’s debut feature delves deep into the stuffy atmosphere of Romania in December 1989  

02/09/2024 | Venice 2024 | Orizzonti

Aitor Arregi, Jon Garaño • Directors of Marco

Interview: Aitor Arregi, Jon Garaño • Directors of Marco

“Sometimes, we don’t understand our main character, but we didn’t want to judge him or whitewash him”

VENICE 2024: The Basque helmers reveal their fascination for the real-life case underpinning their film, centring on a man who took lying to an unprecedented level  

01/09/2024 | Venice 2024 | Orizzonti

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