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Berlinale 2018 / Competition


35 articles available in total starting from 18/12/2017. Last article published on 01/03/2018.

Review: The Real Estate

Review: The Real Estate

BERLIN 2018: Axel Petersén and Måns Månsson stir up feelings of intense social alienation, where narrative and form unite to create an atmosphere of rejection  

20/02/2018 | Berlinale 2018 | Competition

Review: 3 Days in Quiberon

Review: 3 Days in Quiberon

BERLIN 2018: Emily Atef's fourth film looks back at Romy Schneider's last interview in an attempt to shed light on the relation between the persona and the myth  

20/02/2018 | Berlinale 2018 | Competition

Review: Daughter of Mine

Review: Daughter of Mine

BERLIN 2018: Following Sworn Virgin, Laura Bispuri returns to Berlin in competition with another film as sensitive as it is intelligent, about a girl stuck between her two mothers  

19/02/2018 | Berlinale 2018 | Competition

Cédric Kahn  • Director

Interview: Cédric Kahn • Director

"The film is all about the rebuilding of social bonds"

BERLIN 2018: French filmmaker Cédric Kahn talks to us about his new film The Prayer, presented in competition at the 68th Berlin Film Festival  

18/02/2018 | Berlinale 2018 | Competition

Review: The Prayer

Review: The Prayer

BERLIN 2018: Cédric Kahn puts his name to an intense film about a young drug addict trying to shake off his dependency within a religious community  

18/02/2018 | Berlinale 2018 | Competition

Review: Transit

Review: Transit

BERLIN 2018: To stick with the theme of emigrants awaiting the continuation of their journey, in abandoning a two-level approach, Christian Petzold helms a film that ends up missing the boat  

18/02/2018 | Berlinale 2018 | Competition

Review: Dovlatov

Review: Dovlatov

BERLIN 2018: Aleksei German Jr returns with a retrograde portrait of the 1970s-era Soviet Union that says nothing new  

18/02/2018 | Berlinale 2018 | Competition

Review: Eva

Review: Eva

BERLIN 2018: Benoît Jacquot delves into a world that is poisonous, opaque and strange, hinged on a game of mirrors between Gaspard Ulliel and Isabelle Huppert  

17/02/2018 | Berlinale 2018 | Competition

Review: Horizon

Review: Horizon

The second film by Brides director Tinatin Kajrishvili is a layered exploration of the unbearable loss the hero feels after his wife leaves him  

17/02/2018 | Berlinale 2018 | Panorama

Review: The Heiresses

Review: The Heiresses

BERLIN 2018: The first full-length film by Paraguayan director Marcelo Martinessi is a vast co-production that focuses on a muted epiphany  

17/02/2018 | Berlinale 2018 | Competition

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