Berlinale 2024 / Competition 38 articles available in total starting from 18/01/2024. Last article published on 05/07/2024. previous page: 1 2 [3] 4 next Review: The Devil’s BathBERLINALE 2024: Directorial duo Veronika Franz and Severin Fiala dive into the tortured mind of an 18th-century farmer's wife 20/02/2024 | Berlinale 2024 | CompetitionInterview: Matthias Glasner • Director of Dying“I’m not very judgemental: I think human beings are allowed to be the way they are”BERLINALE 2024: The German director enlightens us on how love, music and hope intertwine in his dark dramedy starring Lars Eidinger and Corinna Harfouch 20/02/2024 | Berlinale 2024 | CompetitionReview: Holy WeekBERLINALE 2024: Andrei Cohn’s period drama dissects the cycle of violence through the story of a Jewish innkeeper in the Romanian countryside 20/02/2024 | Berlinale 2024 | ForumInterview: Piero Messina • Director of Another End“Together, Gael and Renate were like the wind coming in and blowing things around”BERLINALE 2024: The Italian director chatted with us about some of the stages involved in producing his second work, which is a dystopic sentimental drama 19/02/2024 | Berlinale 2024 | CompetitionReview: ArcadiaBERLINALE 2024: Yorgos Zois’s second feature sets out as a mysterious erotic thriller with psychological elements, but gradually melts into a predictable relationship (melo)drama 19/02/2024 | Berlinale 2024 | EncountersReview: DyingBERLINALE 2024: Matthias Glasner’s latest offering is a winning combination of pitch-black humour and warm human drama 19/02/2024 | Berlinale 2024 | CompetitionReview: The EmpireBERLINALE 2024: Featuring lightsabres, spaceships and a war between Good and Evil set in an everyday human context, Bruno Dumont delivers a hilarious satire to be taken with a pinch of salt 19/02/2024 | Berlinale 2024 | CompetitionReview: DahomeyBERLINALE 2024: Mati Diop’s documentary, which follows the return of works of art stolen in colonial times, is a precious little gem – little in terms of length, but not artistic expression 19/02/2024 | Berlinale 2024 | CompetitionReview: From Hilde, with LoveBERLINALE 2024: Wars can be fought with acts of love and kindness, and silence screams louder than bombs in Andreas Dresen’s deeply humanistic film 18/02/2024 | Berlinale 2024 | CompetitionReview: Suspended TimeBERLINALE 2024: A minor entry in Olivier Assayas' filmography is definitely his most autobiographical outing, but is probably among the least engaging 18/02/2024 | Berlinale 2024 | Competition previous page: 1 2 [3] 4 next