Cannes 2021 / Competition (The article continues below - Commercial information) 40 articles available in total starting from 27/04/2021. Last article published on 19/07/2021. previous page: 1 2 [3] 4 next Review: Three FloorsCANNES 2021: Nanni Moretti delivers a jaw-droppingly bad soap opera with the who’s who of Italian cinema 12/07/2021 | Cannes 2021 | CompetitionInterview: Luana Bajrami • Director of The Hill Where Lionesses Roar"My film paints the unknown picture of Kosovo"CANNES 2021: The French-Kosovar actress discusses her first feature as a director, which follows a gang of likeable (and perfectly cast) girls 12/07/2021 | Cannes 2021 | Directors' FortnightReview: Bergman IslandCANNES 2021: Mia Hansen-Løve elaborates a great oeuvre, a game of nested mirrors about couplehood, creativity, cinephilia and ghosts, in the summery setting of the Fårö island 11/07/2021 | Cannes 2021 | CompetitionInterview: Catherine Corsini • Director of The Divide“To consider oneself, to consider others and have some hope in the fact that people can talk to each other”CANNES 2021: The French filmmaker discusses her at once funny and dramatic film unveiled in competition, which through fiction delves into a very agitated night at the hospital 11/07/2021 | Cannes 2021 | CompetitionInterview: Joachim Trier • Director of The Worst Person in the World“At the end of the day, all three of them feel like the worst person in the world; that’s my conclusion”CANNES 2021: The Norwegian director unpicks his seemingly cute, seemingly romantic comedy-drama 11/07/2021 | Cannes 2021 | CompetitionReview: The DivideCANNES 2021: Over one very agitated night at the hospital, Catherine Corsini intersects, with a good balance between comedy and drama, several hot social issues that are dividing France 10/07/2021 | Cannes 2021 | CompetitionReview: Compartment No. 6CANNES 2021: Finnish director Juho Kuosmanen invites us on a “Voyage, voyage” all the way to Murmansk in his competition entry 10/07/2021 | Cannes 2021 | CompetitionReview: MurinaCANNES 2021: In her feature debut, Antoneta Alamat Kusijanović takes her characters out for a swim 10/07/2021 | Cannes 2021 | Directors’ FortnightReview: BenedettaCANNES 2021: Religion, power, manipulation, miracles and stigmata, truths and falsehoods are all on the ambiguous, intelligent, black humour-filled agenda of Paul Verhoeven’s excellent film 09/07/2021 | Cannes 2021 | CompetitionReview: Lingui, The Sacred BondsCANNES 2021: Mahamat-Saleh Haroun delivers a luminous work about a mother whose love for her daughter causes her to change course and to set about surmounting social and religious taboos 09/07/2021 | Cannes 2021 | Competition previous page: 1 2 [3] 4 next (The article continues below - Commercial information)