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Cannes 2026

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287 articles available in total starting from 06/10/2025. Last article published on 18/08/2026.

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María Martínez Bayona • Director of The End of It

Interview: María Martínez Bayona • Director of The End of It

"If you are immortal, what can you be beyond immortal?"

CANNES 2026: The Spanish director reflects on mortality and the strange emptiness of a society where people can live forever but no longer know what it means to truly feel alive  

25/05 | Cannes 2026 | Cannes Première

Cristian Mungiu picks up a second Palme d’Or at Cannes with Fjörd

Cristian Mungiu picks up a second Palme d’Or at Cannes with Fjörd

CANNES 2026: The Grand Prix has gone to Minotaur, while other trophies were awarded to Pawel Pawlikowski, duo Javier Ambrossi and Javier Calvo, Valeska Grisebach, Emmanuel Marre, and four performers  

23/05 | Cannes 2026 | Awards

Bertrand Mandico • Director of Roma Elastica

Interview: Bertrand Mandico • Director of Roma Elastica

“I added another layer to the history of Rome”

CANNES 2026: The French director explains how his Marion Cotillard-starrer is somehow a tribute to all of the different layers that make up Italian cinema of the 1960s and 1970s  

23/05 | Cannes 2026 | Midnight Screenings

Review: Crescendo

Review: Crescendo

CANNES 2026: Agnès Jaoui immerses the preparations for an opera in the turmoil of the questions that have been sweeping through society since the #MeToo movement  

23/05 | Cannes 2026 | Out of Competition

Valeska Grisebach • Director of The Dreamed Adventure

Interview: Valeska Grisebach • Director of The Dreamed Adventure

"It was important to me that my lead character owned her gaze"

CANNES 2026: The German filmmaker talks about the film’s border setting, working with non-actors, and creating a refreshingly rare female protagonist  

23/05 | Cannes 2026 | Competition

Review: Ulysse

Review: Ulysse

CANNES 2026: Laetitia Masson’s drama focuses on a mother’s perspective on her disabled child’s development from birth to young adulthood  

23/05 | Cannes 2026 | Un Certain Regard

Review: Ulya

Review: Ulya

CANNES 2026: Viesturs Kairišs returns to monochrome for a restrained biopic that honours an overlooked life while raising obvious questions about representation  

23/05 | Cannes 2026 | Un Certain Regard

Review: Vertiginous

Review: Vertiginous

CANNES 2026: Quentin Dupieux’s first animated feature takes us into the uncanny valley, as glitchy avatars of Alain Chabat and Jonathan Cohen ponder whether reality is in fact a simulation  

23/05 | Cannes 2026 | Directors' Fortnight

Review: The End of It

Review: The End of It

CANNES 2026: Maria Martinez Bayona’s debut feature follows Rebecca Hall as a 250-year-old artist in a future without death who decides to stage her own suicide as her final artwork  

23/05 | Cannes 2026 | Cannes Première

Zachary Wigon • Director of Victorian Psycho

Interview: Zachary Wigon • Director of Victorian Psycho

“I'm interested in the most intense, fullest expression of psychology and emotion that you can get on screen”

CANNES 2026: The director discusses genre, aesthetics and his complex relationship with ethics in his Victorian-era psychological horror film  

23/05 | Cannes 2026 | Un Certain Regard

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