Competition / Belgium (The article continues below - Commercial information) 162 articles available in total starting from 26/08/2002. Last article published on 18/09/2026. previous page: 1 2 [3] 4 5 6 7 8 ... 15 16 17 next Interview: Júlia de Paz • Director of The Good Daughter“Psychological abuse is difficult to prove, but that doesn’t mean it doesn’t exist”In her second feature film, the Catalan filmmaker tackles issues such as vicarious violence and depicts family support centres for victims of abuse 10/04 | /Spain/BelgiumInterview: Geneviève Dulude-de Celles • Director of Nina Roza“I was less interested in the initial hardship of migration than in the aftermath”BERLINALE 2026: The Montreal-based filmmaker reveals the challenges of setting up her sophomore feature film in Bulgaria without being Bulgarian 18/02 | Berlinale 2026 | CompetitionInterview: Anke Blondé • Director of Dust"Luc and Geert are falling, the question is how they will fall"BERLINALE 2026: The Flemish filmmaker talks about her second feature film, written by Angelo Tijssens, starring Jan Hammenecker and Arieh Worthalter 17/02 | Berlinale 2026 | CompetitionReview: Nina RozaBERLINALE 2026: Geneviève Dulude-De Celles crafts a Bulgarian-based story on concealed wounds and the resurfacing of an interred identity 17/02 | Berlinale 2026 | CompetitionReview: DustBERLINALE 2026: Anke Blondé follows the last 36 hours of freedom of two Flemish tech entrepreneurs on the verge of being arrested at the dawn of the 21st century 15/02 | Berlinale 2026 | CompetitionInterview: Visar Morina • Director of Shame and Money“If everything becomes exchanged in terms of money, the first thing that dies will be what we call being human”The Kosovo-born director breaks down his third feature, which sees an older couple from the countryside forced to keep pace in an uber-commodified urban present 27/01 | Sundance 2026 | World Cinema Dramatic CompetitionReview: Shame and MoneyIn his second feature to compete at Sundance, Visar Morina takes a razor-sharp blade to pierce the veil of our ultra-transactional late-stage capitalist present 26/01 | Sundance 2026 | World Cinema Dramatic CompetitionInterview: Abu Bakr Shawky • Director of The Stories"Everybody is the hero of their own story"We spoke to the Egyptian-Austrian filmmaker about portraying small people in big times, and the sacrifices needed to tell such a tale 24/11/2025 | Black Nights 2025 | CompetitionReview: The Good DaughterJúlia de Paz Solvas’s second feature is a coming-of-age film in which maturity is born of vulnerability 20/11/2025 | Black Nights 2025 | CompetitionReview: The StoriesAbu Bakr Shawky retells the tumultuous history of Egypt in the second half of the 20th century in an audience-friendly way, as seen from the perspectives of a couple and an extended family 18/11/2025 | Black Nights 2025 | Competition previous page: 1 2 [3] 4 5 6 7 8 ... 15 16 17 next (The article continues below - Commercial information)