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Cottbus 2018

28 articles available in total starting from 09/05/2018. Last article published on 21/11/2018.

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Review: Via Carpatia

Review: Via Carpatia

KARLOVY VARY 2018: The debut feature by Polish directorial duo Klara Kochańska and Kasper Bajon channels the spirit of Abbas Kiarostami in its examination of the migrant crisis in Europe  

03/07/2018 | Karlovy Vary 2018 | East of the West

Review: Crystal Swan

Review: Crystal Swan

KARLOVY VARY 2018: The debut feature by Belarusian filmmaker Darya Zhuk is a confident and vital work that is also the country's entry for the Oscars  

02/07/2018 | Karlovy Vary 2018 | East of the West

Review: Ayka

Review: Ayka

CANNES 2018: Through the latest work by Kazakh filmmaker Sergey Dvortsevoy, we undergo a taxing physical experience alongside a young Kyrgyz mother, living illegally in Russia  

19/05/2018 | Cannes 2018 | Competition

Sergey Dvortsevoy • Director of Ayka

Interview: Sergey Dvortsevoy • Director of Ayka

Interview

CANNES 2018: Russian filmmaker Sergey Dvortsevoy talked to us about his second feature, Ayka  

19/05/2018 | Cannes 2018 | Competition

Zsófia Szilágyi • Director of One Day

Interview: Zsófia Szilágyi • Director of One Day

Interview

CANNES 2018: Hungarian filmmaker Zsófia Szilágyi talked to us about her first feature, One Day  

15/05/2018 | Cannes 2018 | Critics' Week

Review: The Load

Review: The Load

CANNES 2018: Ognjen Glavonić's first fiction feature is a stark look at a war crime from the Kosovo War and its implications, with Leon Lučev giving an amazing performance in the main role  

13/05/2018 | Cannes 2018 | Directors’ Fortnight

Ognjen Glavonić • Director of The Load

Interview: Ognjen Glavonić • Director of The Load

“Paths are made by walking”

CANNES 2018: Serbian filmmaker Ognjen Glavonić tells us about how his first fiction feature, The Load, came into being  

12/05/2018 | Cannes 2018 | Directors’ Fortnight

Review: One Day

Review: One Day

CANNES 2018: Zsófia Szilágyi’s first full-length film heaves with tension and a keen sense of realism, following the daily grind of a woman and mother on the verge of breaking down  

09/05/2018 | Cannes 2018 | Critics’ Week

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