India (The article continues below - Commercial information) 58 articles available in total starting from 14/02/2013. Last article published on 06/09/2026. previous page: 1 2 [3] 4 5 6 next Review: Sister MidnightCANNES 2024: The feature debut by London-based writer-director Karan Kandhari presents marital roles through slapstick and horror-comedy tropes 24/05/2024 | Cannes 2024 | Directors’ FortnightReview: All We Imagine as LightCANNES 2024: Indian filmmaker Payal Kapadia has created a bewitching hybrid work that delves into the hearts of the women of her country and their longings for another world 23/05/2024 | Cannes 2024 | CompetitionInterview: Maisam Ali • Director of In Retreat“I was trying to do something like a painting or a haiku"CANNES 2024: The Indian filmmaker talks about the multifaceted meanings of home, belonging and portraying the region of Ladakh in his debut film 23/05/2024 | Cannes 2024 | ACIDReview: The Last ExpeditionEliza Kubarska's portrait of iconic and controversial mountaineer Wanda Rutkiewicz is a thematically rich and engaging film that suffers from a lack of clarity as to what its goal is 23/05/2024 | Millennium Docs Against Gravity 2024Review: In RetreatCANNES 2024: Maisam Ali’s debut feature of a traveller's journey back to his hometown in North India meditates on belonging in an age of fast-paced (dis)connection 21/05/2024 | Cannes 2024 | ACIDReview: SantoshCANNES 2024: A new police recruit assumes the post of her deceased husband in Indian filmmaker Sandhya Suri’s impressive crime-drama 21/05/2024 | Cannes 2024 | Un Certain RegardReview: The ShamelessCANNES 2024: Konstantin Bojanov’s third feature follows a doomed lesbian romance in contemporary India while diving into the local brothel culture, steeped in misogyny 17/05/2024 | Cannes 2024 | Un Certain RegardInterview: Konstantin Bojanov • Director of The Shameless“I am not interested in myself; I am interested in other people’s stories”CANNES 2024: The Bulgarian director takes on real-life traditions and ends up with a fable 16/05/2024 | Cannes 2024 | Un Certain RegardInterview: Ishan Shukla • Director of Schirkoa: In Lies We Trust“I wanted to be able to talk about politics and spirituality in a very open way, without pointing guns at anyone”The Indian director breaks down his exuberant and dystopian animation, also giving an insight into his cultural influences 31/01/2024 | IFFR 2024 | Bright FutureReview: Schirkoa: In Lies We TrustIndian director Ishan Shukla's animated dystopian sci-fi feature combines staples of the sub-genre with Eastern spirituality, resulting in a somewhat jumbled but undeniably impressive debut 28/01/2024 | IFFR 2024 | Bright Future previous page: 1 2 [3] 4 5 6 next (The article continues below - Commercial information)