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54 articles available in total starting from 20/08/2019. Last article published on 07/09/2026.

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Review: Renoir

Review: Renoir

CANNES 2025: Japanese filmmaker Chie Hayakawa weaves an infinitely delicate work on childhood’s look at the tortured world of adults  

17/05/2025 | Cannes 2025 | Competition

Review: A Useful Ghost

Review: A Useful Ghost

CANNES 2025: Ratchapoom Boonbunchachoke reveals his exceptional talent with a highly original, funny, subtle, inventive and intelligent first feature  

17/05/2025 | Cannes 2025 | Critics’ Week

Review: A Pale View of Hills

Review: A Pale View of Hills

CANNES 2025: Japanese director Kei Ishikawa takes on a subtle, mysterious novel by Nobel laureate Kazuo Ishiguro, and mostly succeeds in translating it to cinema  

17/05/2025 | Cannes 2025 | Un Certain Regard

Chie Hayakawa’s Renoir jumps into the race for the Palme d’Or

Chie Hayakawa’s Renoir jumps into the race for the Palme d’Or

The Japanese writer-director returns to the Croisette with her sophomore feature, an emotional coming-of-age tale set in late-1980s Tokyo  

18/04/2025 | Production | Funding | Japan/France/Singapore/Philippines/Indonesia

Review: MA – Cry of Silence

Review: MA – Cry of Silence

The Maw Naing’s film merges class conflicts with protest against the military junta, inspired by women-led factory uprisings that occurred in 2012  

09/12/2024 | Marrakech 2024

Review: Some Nights I Feel Like Walking

Review: Some Nights I Feel Like Walking

The newest film by Petersen Vargas is an attempt at blending social drama and urban road movie, set on the fringes of Manila  

22/11/2024 | Black Nights 2024 | Competition

Review: Crocodile Tears

Review: Crocodile Tears

Indonesian filmmaker Tumpal Tampubolon’s first feature is an inventive and peculiar take on the love of a suffocating mother, which reveals itself as an undiagnosed form of madness  

11/09/2024 | Toronto 2024 | Centrepiece

Review: Stranger Eyes

Review: Stranger Eyes

VENICE 2024: Singaporean director Yeo Siew Hua’s thriller finds a couple grieving after their daughter goes missing, with the country’s culture of mass surveillance holding the answer to the mystery  

05/09/2024 | Venice 2024 | Competition

Review: Don’t Cry, Butterfly

Review: Don’t Cry, Butterfly

VENICE 2024: Vietnamese director Dương Diệu Lính’s debut is a magic elixir of maternal angst, filial rebellion and creature-feature horror  

03/09/2024 | Venice 2024 | International Film Critics’ Week

Nelicia Low • Director of Pierce

Interview: Nelicia Low • Director of Pierce

"As a sibling of a person with a mental issue, I know you're born into it and process it differently than an adult person"

The Singaporean filmmaker talks about her first feature, a thriller revolving around the ideals of brotherly love and the illusions that we project onto those close to us  

08/07/2024 | Karlovy Vary 2024 | Competition

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