Toronto 2024 / Special Presentations 29 articles available in total starting from 19/02/2024. Last article published on 28/03/2025. previous page: 1 2 [3] Review: All We Imagine as LightCANNES 2024: Indian filmmaker Payal Kapadia has created a bewitching hybrid work that delves into the hearts of the women of her country and their longings for another world 23/05/2024 | Cannes 2024 | CompetitionReview: MisericordiaCANNES 2024: Alain Guiraudie crafts a delectable study of human nature, which falls midway between film noir and comedy in the micro-society of a remote village 21/05/2024 | Cannes 2024 | Cannes PremièreInterview: Rungano Nyoni, Susan Chardy • Director of and actress in On Becoming a Guinea Fowl“It’s about how difficult it is to speak up”CANNES 2024: The helmer and the star of this film, about a late uncle’s dark secrets coming to light, talk about being complicit in silence 21/05/2024 | Cannes 2024 | Un Certain RegardReview: BirdCANNES 2024: British director Andrea Arnold competes for the Palme d’Or with a coming-of-age story that showcases both the beauty and the harshness of growing up in a Kent slum 20/05/2024 | Cannes 2024 | CompetitionReview: Emilia PérezCANNES 2024: Jacques Audiard masterfully pulls off his incredible gamble on a musical comedy set in the Latino drug world, with a film that warmly embraces the freedom to change 19/05/2024 | Cannes 2024 | CompetitionInterview: Magnus von Horn • Director of The Girl with the Needle“I decided to use this fear of mine and make a film out of it”CANNES 2024: Taking the Danish child killings of the 1910s as his starting point, the Swedish helmer recreates a period Copenhagen inspired by collective memory 19/05/2024 | Cannes 2024 | CompetitionReview: On Becoming a Guinea FowlCANNES 2024: Rungano Nyoni isn’t afraid to get her hands dirty – especially when digging up the past 17/05/2024 | Cannes 2024 | Un Certain RegardReview: The Girl with the NeedleCANNES 2024: Magnus von Horn’s macabre fairy tale for grown-ups is too pretty for its own good 16/05/2024 | Cannes 2024 | CompetitionReview: DahomeyBERLINALE 2024: Mati Diop’s documentary, which follows the return of works of art stolen in colonial times, is a precious little gem – little in terms of length, but not artistic expression 19/02/2024 | Berlinale 2024 | Competition previous page: 1 2 [3]