UK / USA (The article continues below - Commercial information) 308 articles available in total starting from 11/10/2010. Last article published on 06/11/2025. previous page: 1 2 [3] 4 5 6 7 8 ... 29 30 31 next Review: Hallow RoadBritish-Iranian director Babak Anvari investigates the obscure meanderings of the human mind, the grey zones where instinct prevails over reason 10/07 | NIFFF 2025Review: 28 Years LaterWith his sequel to 28 Days Later, co-written by Alex Garland, Danny Boyle returns to apocalyptic horror with a ferocious coming-of-age story revolving around family and the memory of the dead 18/06 | Films | Reviews | UK/USAReview: PlainclothesCarmen Emmi’s tense drama follows a closeted police officer assigned to a sting operation targeting other gay men 13/06 | SXSW London 2025Vicky Krieps added to the cast of Małgorzata Szumowska and Michał Englert's The IdiotsThe film, said to be an anti-imperialistic black comedy, will also star Aimee Lou Wood, Johnny Flynn, Christian Friedel, Barbara Marten and Rainer Bock, and will be shot entirely in Poland 26/05 | Production | Funding | France/USA/UKReview: The Chronology of WaterCANNES 2025: Kristen Stewart’s directorial debut, adapted from Lidia Yuknavitch’s memoir, follows an abuse survivor’s journey to become a writer 26/05 | Cannes 2025 | Un Certain RegardInterview: Kirill Serebrennikov • Director of The Disappearance of Josef Mengele"I wanted to get a grasp of the collective system called Mengele – the people who helped him, protected him, funded him, hid him"CANNES 2025: The Russian director in exile elaborates on his motivation to dissect a Nazi mind on screen and reveals behind-the-scenes production details 23/05 | Cannes 2025 | Cannes PremièreReview: The History of SoundCANNES 2025: In Oliver Hermanus’s film, gentle voices echo through time, creating a poetic, musically rich tale of memory, love and loss 22/05 | Cannes 2025 | CompetitionReview: The Disappearance of Josef MengeleCANNES 2025: Kirill Serebrennikov’s latest feature is a rich, dense, complex, absorbing and eventually unbiased portrait of a fascist in exile 21/05 | Cannes 2025 | Cannes PremièreReview: Lilies Not for MeWill Seefried’s debut film navigates between romanticism and horror amidst experiments to cure homosexuality in the early 20th century 13/05 | Films | Reviews | UK/South Africa/France/USADonald Trump's 100% film tariff threat shakes long-standing UK–US industry tiesThe UK film sector scrambles for clarity after the US President’s announcement, amid concerns over financial repercussions 06/05 | Industry | Market | USA/UK previous page: 1 2 [3] 4 5 6 7 8 ... 29 30 31 next (The article continues below - Commercial information)