Venice 2025 (The article continues below - Commercial information) 168 articles available in total starting from 28/04/2025. Last article published on 30/01/2026. previous page: 1 2 [3] 4 5 6 7 8 ... 15 16 17 next Interview: Claire Simon • Director of Writing Life: Annie Ernaux Through the Eyes of High School Students"The advantage of this idea was being able to portray the youth of today and hear Annie Ernaux's text"VENICE 2025: The French director tells us about her new documentary, in which she explores the impact of the work penned by the author, about a group of secondary-school students 09/09/2025 | Venice 2025 | Giornate degli AutoriInterview: Ana Cristina Barragán • Director of The Ivy“Ivy is a plant that is beautiful but also toxic; that duality really interested me”VENICE 2025: The Ecuadorian director discusses the sensory approach, working with actors and the formal decisions behind her film 09/09/2025 | Venice 2025 | OrizzontiInterview: Roderick Warich • Director of Funeral Casino Blues“I’m always in between: I want to make horror films and I want to make Tokyo Story”VENICE 2025: The German director unpicks his Bangkok-set movie, a noir-tinged thriller in which love is stronger than life 08/09/2025 | Venice 2025 | OrizzontiInterview: Akihiro Hata • Director of Grand Ciel“My political reflections have always been my primary creative drive”VENICE 2025: The Paris-based Japanese director discusses his social drama which morphs into a thriller, starring Damien Bonnard in the lead 08/09/2025 | Venice 2025 | OrizzontiInterview: Leonardo Di Costanzo • Director of Elisa"It’s the mystery of evil that resides in the ordinary that struck me in that story”VENICE 2025: The Italian director tells us what pushed him to tell the story of a normal woman who has committed a horrible crime and looks for a road to redemption 08/09/2025 | Venice 2025 | CompetitionInterview: Ildikó Enyedi • Director of Silent Friend“I wanted to show how quickly our gaze changes”VENICE 2025: The Hungarian director gives us the low-down on her new feature, which centres on a ginkgo tree in three different timelines 08/09/2025 | Venice 2025 | CompetitionInterview: Virgilio Villoresi • Director of Orfeo“I chose to adapt Poem Strip because it offered the opportunity to bring together all of the techniques I have refined over the years”VENICE 2025: The debuting Italian director talks to us about his love of cinema, and about the personal memories that influenced his film 08/09/2025 | Venice 2025 | Out of CompetitionInterview: Andrea Di Stefano • Director of My Tennis Maestro“I’ve always wondered why films about sports only ever talk about the winners”VENICE 2025: We talked to the Italian director about his new film, starring Pierfrancesco Favino as a failed tennis player 08/09/2025 | Venice 2025 | Out of CompetitionReview: Damned If You Do, Damned If You Don’tVENICE 2025: Gianni Di Gregorio returns with a new work confirming his ability to tell intricate and delicate stories composed of small gestures and great emotions 08/09/2025 | Venice 2025 | Giornate degli AutoriReview: Do You Love MeVENICE 2025: Using only archival material, Lebanese director Lana Daher composes a vivid and multiform portrait of her beloved village martyred by too many wars 08/09/2025 | Venice 2025 | Giornate degli Autori previous page: 1 2 [3] 4 5 6 7 8 ... 15 16 17 next (The article continues below - Commercial information)