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Directors’ Fortnight

440 articles available in total starting from 16/05/2002. Last article published on 17/06/2025.

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The Carrosse d’Or for Jia Zhangke

The Carrosse d’Or for Jia Zhangke

On the Croisette this year, the Chinese filmmaker will receive the honour awarded annually by the Society of Film Directors (SRF)  

13/03/2015 | Cannes 2015 | Directors’ Fortnight

Alleluia: serial lovers

Alleluia: serial lovers

CANNES 2014: Fabrice Du Welz touches and divides giving a beautiful lashing to the Directors’ Fortnight selection. The minimum to be expected from the filmmaker of The Ordeal…  

23/05/2014 | Cannes 2014 | Directors’ Fortnight

Pride: a film that speaks to the heart

Pride: a film that speaks to the heart

CANNES 2014: Two beautiful battles, wonderful people, solidarity, an energy and a contagious joy: the Directors’ Fortnight concluded with a truly inspiring film  

23/05/2014 | Cannes 2014 | Directors’ Fortnight/UK

Queen & Country: the magical autobiography of John Boorman

Queen & Country: the magical autobiography of John Boorman

CANNES 2014: The legendary writer-director of Leo the Last unveiled at the Cannes Fortnight a film based on his two years of military service, and every second is a sheer delight  

21/05/2014 | Cannes 2014 | Directors' Fortnight/UK

P'tit Quinquin: a quintessentially Bruno Dumont comedy

P'tit Quinquin: a quintessentially Bruno Dumont comedy

CANNES 2014: Having a whale of a time playing around with the conventional police-enquiry genre, the French purist arthouse filmmaker has made an astonishing off-the-wall, and very funny, mini-series  

21/05/2014 | Cannes 2014 | Directors’ Fortnight

Cold in July: Three men and a coffin

Cold in July: Three men and a coffin

CANNES 2014: Jim Mickle returns to the Directors’ Fortnight with a succulent bloodfest that comically mixes different references to genre cinema  

20/05/2014 | Cannes 2014 | Directors’ Fortnight/US, France

Refugiado: the love of a fleeing mother

Refugiado: the love of a fleeing mother

CANNES 2014: A finely subjective story on the necessary evasion of a woman with her son, who without forfeiting his purity, slowly grasps the gravity of the situation  

19/05/2014 | Cannes 2014 | Directors’ Fortnight

Eat Your Bones: "A little hold-up or a beer?"

Eat Your Bones: "A little hold-up or a beer?"

CANNES 2014: A modern western and an electrified dive into the Directors' Fortnight for Jean-Charles Hue in the extraordinary world of the Yenish community outlaws  

19/05/2014 | Cannes 2014 | Directors' Fortnight

Love at First Fight: A twofold vision of the future

Love at First Fight: A twofold vision of the future

CANNES 2014: Adèle Haenel and Kevin Azaïs shine in the promising first feature film by Thomas Cailley, unveiled at the Directors’ Fortnight  

17/05/2014 | Cannes 2014 | Directors’ Fortnight

Gett: an absurd trial from which you do not leave unscathed

Gett: an absurd trial from which you do not leave unscathed

CANNES 2014: The superb third chapter of the trilogy on Israeli women by Ronit and Shlomi Elkabetz left the public of Directors’ Fortnight speechless  

17/05/2014 | Cannes 2014 | Directors’ Fortnight

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