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France

10914 articles available in total starting from 17/05/2002. Last article published on 01/08/2025.

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Review: Bruno Reidal, Confessions of a Murderer

Review: Bruno Reidal, Confessions of a Murderer

CANNES 2021: Vincent Le Port makes a spectacular entry into the world of feature filmmaking with a dark and clinical film heir to Bresson and Haneke, about a criminal destiny  

11/07/2021 | Cannes 2021 | Critics’ Week

Samuel Theis • Director of Softie

Interview: Samuel Theis • Director of Softie

“This film is a child’s portrait, but most of all it is about the question of defecting from one’s class”

CANNES 2021: The French filmmaker discusses his second feature, a very endearing, simple and subtle work presented in Critics’ Week  

11/07/2021 | Cannes 2021 | Critics' Week

Review: Zero Fucks Given

Review: Zero Fucks Given

CANNES 2021: Adèle Exarchopoulos dazzles as an air hostess working for a low budget airline in an original first feature film full of contrasts by Julie Lecoustre and Emmanuel Marre  

11/07/2021 | Cannes 2021 | Critics’ Week

Review: Returning to Reims (Fragments)

Review: Returning to Reims (Fragments)

CANNES 2021: A true silversmith of the archives, Jean-Gabriel Périot dissects the intimate and political history of the French working class by adapting a Didier Eribon essay  

11/07/2021 | Cannes 2021 | Directors’ Fortnight

Catherine Corsini • Director of The Divide

Interview: Catherine Corsini • Director of The Divide

“To consider oneself, to consider others and have some hope in the fact that people can talk to each other”

CANNES 2021: The French filmmaker discusses her at once funny and dramatic film unveiled in competition, which through fiction delves into a very agitated night at the hospital  

11/07/2021 | Cannes 2021 | Competition

Review: Mariner of the Mountains

Review: Mariner of the Mountains

CANNES 2021: Karim Aïnouz takes us on an enthralling visual journey into his thoughts and feelings as he ventures to Algeria, his father's birthplace, for the first time  

11/07/2021 | Cannes 2021 | Special Screenings

Review: Anaïs in Love

Review: Anaïs in Love

CANNES 2021: Charline Bourgeois-Tacquet delivers a fast-paced, existentialist comedy of manners which is refreshing, entertaining and skilfully subdued  

11/07/2021 | Cannes 2021 | Critics’ Week

Joachim Trier • Director of The Worst Person in the World

Interview: Joachim Trier • Director of The Worst Person in the World

“At the end of the day, all three of them feel like the worst person in the world; that’s my conclusion”

CANNES 2021: The Norwegian director unpicks his seemingly cute, seemingly romantic comedy-drama  

11/07/2021 | Cannes 2021 | Competition

Review: Good Mother

Review: Good Mother

CANNES 2021: With her second feature as director, Hafsia Herzi perfects her neorealist approach in the vibrant and chaotic heart of a poor Marseille family supported by the pillar of maternal love  

11/07/2021 | Cannes 2021 | Un Certain Regard

Yé Yé • Director of H6

Interview: Yé Yé • Director of H6

“I wanted to show the behaviour of the Chinese towards life, death and love”

CANNES 2021: The Chinese-French director breaks down her new documentary film, which she shot in a large hospital in Shanghai  

11/07/2021 | Cannes 2021 | Special Screenings

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