Competition / France 609 articles available in total starting from 18/07/2003. Last article published on 15/09/2025. previous page: 1 2 3 ... 31 32 [33] 34 35 ... 59 60 61 next Interview: Nicolette Krebitz • Director of A E I O U – A Quick Alphabet of Love“It’s a movie about love, and I have nothing but love for everyone here”BERLINALE 2022: The German director follows Wild with another unusual romance, although this time, wolves are nowhere to be seen 15/02/2022 | Berlinale 2022 | CompetitionReview: A E I O U – A Quick Alphabet of LoveBERLINALE 2022: Finally, thanks to Nicolette Krebitz, we have a romantic comedy featuring a healthy dose of mugging and characters with a “life impediment” 14/02/2022 | Berlinale 2022 | CompetitionInterview: Ulrich Seidl • Director of Rimini“Richie Bravo isn’t some shining hero; he’s actually a loser”BERLINALE 2022: The Austrian director makes his return to fiction filmmaking with one half of a diptych focusing on two enormously troubled siblings 14/02/2022 | Berlinale 2022 | CompetitionReview: The Passengers of the NightBERLINALE 2022: Mikhaël Hers further refines his airy, delicate and sensitive style with a magnificent existentialist film about a few years in the life of a small Parisian family in the 1980s 13/02/2022 | Berlinale 2022 | CompetitionReview: Everything Will Be OKBERLINALE 2022: Rithy Panh’s new documentary is a grandiose vision, told with wooden figurines, where animals have evolved to enslave humans 13/02/2022 | Berlinale 2022 | CompetitionReview: Rabiye Kurnaz vs. George W. BushBERLINALE 2022: Andreas Dresen’s new film tells of the odyssey of an ordinary woman forced to transform herself into a true “Mother Courage” 13/02/2022 | Berlinale 2022 | CompetitionReview: RiminiBERLINALE 2022: Ulrich Seidl returns after a decade-long absence from fiction filmmaking with a characteristically harrowing work, which still finds glints of light in the void 12/02/2022 | Berlinale 2022 | CompetitionReview: The LineBERLINALE 2022: Ursula Meier subtly explores a tumultuous world of intense and contradictory emotions in a film which dazzles for its female cast, led by acting revelation Stéphanie Blanchoud 11/02/2022 | Berlinale 2022 | CompetitionReview: Peter von KantBERLINALE 2022: In his occasionally amusing, occasionally absurd tribute to Fassbinder, François Ozon wants to have his champagne and drink it 11/02/2022 | Berlinale 2022 | CompetitionReview: Herd ImmunityAdilkhan Yerzhanov’s latest feature once again boasts a cast split between white clowns and augustes, but the result is far less effective than that achieved in Yellow Cat 22/11/2021 | Black Nights 2021 | Competition previous page: 1 2 3 ... 31 32 [33] 34 35 ... 59 60 61 next