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2413 articles available in total starting from 16/05/2002. Last article published on 06/11/2025.

page:   1  2  3 ... 34  35  [36]  37  38 ... 240  241  242 
Review: The Shrouds

Review: The Shrouds

CANNES 2024: King of venereal horror David Cronenberg draws inspiration from his own grief to deliver a sadly slight techno-thriller  

22/05/2024 | Cannes 2024 | Competition

Review: Marcello Mio

Review: Marcello Mio

CANNES 2024: Christophe Honoré weaves a sleepwalking, cinephilic, conceptual and tender film starring Chiara Mastroianni, haunted by the ghost of her father  

22/05/2024 | Cannes 2024 | Competition

Review: The Village Next to Paradise

Review: The Village Next to Paradise

CANNES 2024: Mo Harawe imposes his remarkable sense of framing on a touching and laconic tale illustrating the misfortunes and resilience of the Somali people  

21/05/2024 | Cannes 2024 | Un Certain Regard

Review: The Apprentice

Review: The Apprentice

CANNES 2024: Ali Abbasi’s satire about baby Trump is shallow and pointless, a real misstep for the versatile director  

21/05/2024 | Cannes 2024 | Competition

Review: The Substance

Review: The Substance

CANNES 2024: Coralie Fargeat delivers a brutal, post-modernist and feminist version of the Faustian pact, bellowing upon the spirit of Cronenberg, Lynch, Kubrick and various others  

20/05/2024 | Cannes 2024 | Competition

Review: Limonov: The Ballad

Review: Limonov: The Ballad

CANNES 2024: Kirill Serebrennikov detonates a cyanide-laced grenade by way of a fragmented 360° portrait of a rebellious artist who claimed to be a hero of chaos and who loathed conformism  

20/05/2024 | Cannes 2024 | Competition

Review: Bird

Review: Bird

CANNES 2024: British director Andrea Arnold competes for the Palme d’Or with a coming-of-age story that showcases both the beauty and the harshness of growing up in a Kent slum  

20/05/2024 | Cannes 2024 | Competition

Emanuel Pârvu • Director of Three Kilometres to the End of the World

Interview: Emanuel Pârvu • Director of Three Kilometres to the End of the World

"As a parent, you don't own your child, and the love is unconditional"

CANNES 2024: The Romanian director discusses his feature, in which a teenager's journey of self-discovery clashes with the traditional values upheld by his parents and neighbors  

19/05/2024 | Cannes 2024 | Competition

Review: Emilia Pérez

Review: Emilia Pérez

CANNES 2024: Jacques Audiard masterfully pulls off his incredible gamble on a musical comedy set in the Latino drug world, with a film that warmly embraces the freedom to change  

19/05/2024 | Cannes 2024 | Competition

Magnus von Horn • Director of The Girl with the Needle

Interview: Magnus von Horn • Director of The Girl with the Needle

“I decided to use this fear of mine and make a film out of it”

CANNES 2024: Taking the Danish child killings of the 1910s as his starting point, the Swedish helmer recreates a period Copenhagen inspired by collective memory  

19/05/2024 | Cannes 2024 | Competition

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