Germany (The article continues below - Commercial information) 4675 articles available in total starting from 23/05/2002. Last article published on 19/12/2025. previous page: 1 2 3 ... 34 35 [36] 37 38 ... 466 467 468 next Review: Mother’s BabyBERLINALE 2025: Johanna Moder rustles up an eerie thriller about a mother unable to connect with her newborn, but is not brave enough to push it to the limit 19/02 | Berlinale 2025 | CompetitionReview: Punching the WorldBERLINALE 2025: Constanze Klaue inspects the rise of nationalism and xenophobia in her skilfully directed coming-of-age film 19/02 | Berlinale 2025 | PerspectivesThe announcements made at the Berlinale's EFMBERLINALE 2025: An overview of select acquisitions, sales, new films and more unveiled at the European Film Market, taking place from 13-19 February 18/02 | Berlinale 2025 | EFMReview: Das Deutsche VolkBERLINALE 2025: Marcin Wierzchowski’s film is a compelling portrait of a nation in crisis and an unflinching look at the 2020 Hanau attack 18/02 | Berlinale 2025 | Berlinale SpecialInterview: Yuri Semashko • Director of The Swan Song of Fedor Ozerov“Writing a film is like being a gold miner. You work hard everyday, but when you finally find the gem you’ve been searching for so long, it feels like enlightenment”BERLINALE 2025: The Belarusian director told us about the musical, personal and artistic inspirations behind his feature debut 18/02 | Berlinale 2025 | ForumReview: I Want It AllBERLINALE 2025: Luzia Schmid paints a colourful if somewhat by-the-numbers picture of a grand dame of German entertainment 18/02 | Berlinale 2025 | PanoramaReview: What Marielle KnowsBERLINALE 2025: Frédéric Hambalek turns an anecdote into a full-length social dramedy, crafting what turns out to be an enjoyable yet fleeting watch 18/02 | Berlinale 2025 | CompetitionAt the EFM, Ecoprod and Eurimages unveil Step Up, a sustainability toolkit and e-learning platformBERLINALE 2025: The new tool aims to be a hub for knowledge and experience sharing, representing a significant step towards specialised training for European audiovisual professionals 18/02 | Berlinale 2025 | EFMReview: The Swan Song of Fedor OzerovBERLINALE 2025: Yuri Semashko’s feature debut is an intriguing blend of diverse influences that come together seamlessly, making this micro-budget film particularly memorable 18/02 | Berlinale 2025 | ForumInterview: Alissa Jung • Director of Paternal Leave“There can be so much love between parents and children, so much support and so much hurt”BERLINALE 2025: We talked to the German filmmaker about her determined child protagonist, her perspective on family and her casting process 17/02 | Berlinale 2025 | Generation previous page: 1 2 3 ... 34 35 [36] 37 38 ... 466 467 468 next (The article continues below - Commercial information)